王梵僧,曾用名王天璇,1984年生于辽宁省大连市。2002年,其诗歌《无题》刊登于《人民文学》副刊2002第三期。2008年毕业于鲁迅美术学院油画系并获得文学学士学位。其创作脉络以个展和群展形式呈现,个展包括2012年在北京季节画廊举办的“齐谐山志”、2013年在新加坡季节画廊举办的“齐谐山志”及台北艺术博览会个展项目,以及2016年在北京798龙口空间举办的“芥子须弥”。群展经历丰富,涵盖2008年北京高地画廊的“新东北力量-青年艺术家联展”、2009年沈阳蔚蓝美术馆的“艺术东北-东北青年当代艺术展”、2012年北京三潴画廊的“狂欢”及鲁迅美术学院美术馆的“回归一种视觉的方式”、2013年北京碧鏊艺术空间的“东方物象”及多个艺术博览会、2014年北京798的“新世界-多媒介艺术融合集群展”及马来西亚RI画廊的“张文伟-王梵僧双人展”、2015年多个博览会及北京Zoomart艺术馆的“之间-与传统有关”、2016年北京秒有艺术的“花园”及龙口空间的“九张画”和今格艺术中心的“佚名”、2017年国美艺术基金会的收藏展、2018年北京CHAO艺术中心的“臆想仓库”等。
Wang Fan Seng, formerly known as Wang Tianxuan, was born in Dalian, Liaoning Province in 1984. In 2002, his poem “Untitled” was published in the supplement of People’s Literature, issue 3, 2002. In 2008, he graduated from the Oil Painting Department of Lu Xun Academy of Fine Arts with a Bachelor of Arts degree. His practice unfolds through solo and group exhibitions. Solo exhibitions include “Qi Xie Shan Zhi” at Beijing Art Seasons Gallery in 2012, “Qi Xie Shan Zhi” at Singapore Art Seasons Gallery and a solo project at Taipei Art Fair in 2013, and “Mustard Seed and Mount Sumeru” at Longkou Space, 798, Beijing in 2016. Group exhibitions include “New Northeast Power – Young Artists Group Exhibition” at Gaodi Gallery, Beijing in 2008; “Art Northeast – Northeast Youth Contemporary Art Exhibition” at Weilan Art Museum, Shenyang in 2009; “Carnival” at Mizuma Gallery, Beijing and “Return to a Visual Way” at the Art Museum of Lu Xun Academy of Fine Arts in 2012; “Oriental Object Images” at Bi’ao Art Space, Beijing and several art fairs in 2013; “New World – Multimedia Art Integration Cluster Exhibition” in 798, Beijing and “Zhang Wenwei – Wang Fan Seng Two-Person Exhibition” at RI Gallery, Malaysia in 2014; multiple art fairs and “In Between – Related to Tradition” at Zoomart Art Museum, Beijing in 2015; “Garden” at Miao You Art, “Nine Paintings” at Longkou Space, and “Anonymous” at Jinge Art Center in 2016; the collection exhibition of Guomei Art Foundation in 2017; and “Imaginary Warehouse” at CHAO Art Center, Beijing in 2018.












王梵僧的代表作包括近年创作的《群氓》《贵胄》《狂人》《饮宴》《星星组合》《水星之家》《巫觋》等布面丙烯作品,以及更早的《火神山》(2020)、《驿站》(2011)、《金土》(2007)等布面油画。他的创作常游走于当代水墨与表现性具象之间,综合运用水墨、丙烯和综合材料,围绕东方哲学、神话宗教、生命、记忆与时间、自然生态等主题展开,画风兼具象征主义的叙事性和意象化的视觉张力。
Wang Fan Seng (also known as Wang Tianxuan, born 1984) works primarily with ink on paper, mixed media, and oil/acrylic on canvas, blending contemporary ink aesthetics with expressive figuration and symbolism. His thematic concerns frequently circle Eastern philosophy, mythology and religion, life, memory and time, and the natural world. Representative works include *群氓* (2023, acrylic on canvas), *贵胄* (2023, acrylic on canvas), *狂人* (2023, acrylic on canvas), *火神山* (2020, oil on canvas), *使者* (2023, acrylic on canvas), and earlier pieces such as *雾月* (2011, oil on canvas) and *金土* (2007, oil on canvas). His overall style is characterized by a densely imaginative, almost visionary figuration that draws on mythic narratives and internal landscapes, often rendered with a blend of traditional ink sensibility and contemporary materiality.
根据现有档案资料,关于王梵僧的展览经历,可整理如下:
**展出机构**
王梵僧的作品曾在以下机构展出(根据“结构化艺术家档案数据”中的展览记录):
* **北京季节画廊**(2012年个展“齐谐山志”)
* **新加坡季节画廊**(2013年个展“齐谐山志”)
* **台北艺术博览会**(2013年个展项目)
* **北京798龙口空间**(2016年个展“芥子须弥”)
* **又生空间**(位于北京798艺术区,2025年“小景中的时代”、“利立浦特理想国”,2026年“文脉的绵延·线”)
* **仚東堂**(2023年个展“肖像”)
* 此外,其作品还参与过在北京高地画廊、沈阳蔚蓝美术馆、北京三潴画廊、鲁迅美术学院美术馆、北京碧鏊艺术空间、马来西亚RI画廊、北京Zoomart艺术馆、北京秒有艺术、北京今格艺术中心、北京CHAO艺术中心等多个空间举办的群展。
**收藏机构**
关于王梵僧的作品被哪些机构收藏,目前的“结构化艺术家档案数据”中**暂无明确的机构收藏记录**。档案中提及的“2017年国美艺术基金会的收藏展”,表明其作品可能参与过与该基金会相关的展览,但无法直接确认为被该机构收藏。
Wang Fan Seng has exhibited at venues including **CYCLE SPACE (又生空间)** in Beijing’s 798 Art District (group shows such as "The Continuation of Cultural Context: Line" in 2026, "Small Scenes in the Era" in 2025, and "Lilliputian Utopia" in 2025) and **Xian Dong Tang (仚東堂)** (solo exhibition "Portrait" in 2023). Earlier solo and group shows also took place at Beijing Art Now Gallery, Singapore Art Seasons, Longkou Space, and other spaces.
Based on the available archive, his works have been featured in the **Guomei Art Foundation’s Collection Exhibition (国美艺术基金会收藏展, 2017)**, which indicates that the institution holds his work. No other institutional collections are explicitly listed in the provided data.