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王光乐

Wang Guangle
1976丙烯1 件作品收录

简介Biography

王光乐(Wang Guangle)1976年出生于福建,2000年毕业于中央美术学院油画系,现生活及工作于北京。他的艺术实践以“时间性”为核心主题,通过系列作品将哲学层面及时间自身蕴含的肌理沉淀下来。在绘画过程中,他以颜料在画布上层层叠加的方式,不仅凝固了流逝的时间,也将时间转化为一种纯粹的、具有冥想性的语言。其绘画作品曾多次参加国内外重要展览,包括加利福尼亚亚太三年展(2013)、釜山双年展(2010)和布拉格双年展(2009)。合作过的国际知名艺术机构包括尤伦斯当代艺术中心、中央美术学院美术馆、今日美术馆、民生现代美术馆、中国美术馆、上海龙美术馆、北京泰康空间、德国路德维希美术馆、荷兰鹿特丹布尼根博物馆、意大利博茨瓦诺当代美术馆、澳大利亚悉尼白兔美术馆、美国亚洲艺术博物馆、美国卢贝尔家族收藏和当代艺术基金会等。近期个展包括“王光乐:波浪”,北京公社,北京(2021)和“王光乐:双色”,佩斯画廊,纽约(2019)。其他重要个展有“寿漆”,北京aye画廊(2007)、“汉语”,北京一月当代画廊(2005)、“王光乐个展”,北京公社(2009、2011)、“王光乐在台湾”,台北索卡艺术中心(2011)。群展包括“再绘画”,站台中国当代艺术机构空间(2012)、“改造历史——2000—2009年的中国新艺术”,国家会议中心(2010)、“AAC2008艺术中国·年度青年艺术家展览”(2009)、“独白:艺术的重建”,水木当代空间(2008)、“中国的演变-聚焦北京”,德国科布伦茨路德维希美术馆(2008)、“物是:当代艺术中的物主题”,北京玛吉画廊(2008)、“新界面3”,上海红桥画廊(2007)、“刷新”,上海证大美术馆、北京阿拉里奥画廊(2007)、“空白展”,上海可当代艺术中心(2007)、“抽象叙事”,北京德山艺术空间(2007)、“新界面——UP一代登陆展”,红桥画廊(2006)、“形无形”中国抽象绘画展,北京一月当代画廊(2006)、“画幅决定态度”首届5×7″(平遥)照相双年展,北京TS1当代艺术中心、山西平遥(2006)、“N12”第四回展,北京西五画廊(2006)、“坏孩子天空”,北京星空间画廊(2005)、“翻手为云覆手为雨”,北京TS1当代艺术中心(2005)、“N12”第二回展,北京中央美院美术馆(2004)、“少年心气——中国新锐绘画奖”银奖,深圳何香凝美术馆(2004)、“绘画的12次方”,中央美术馆(2003)。

Wang Guangle was born in Fujian in 1976, graduated from the Oil Painting Department of the Central Academy of Fine Arts in 2000, and currently lives and works in Beijing. His artistic practice centers on “temporality,” and through a series of works he sediments the philosophical dimension and the texture inherent in time itself. In his painting process, by applying layers upon layers of pigment on canvas, he not only solidifies the passing of time but also transforms time into a pure, meditative language. His paintings have been featured in many important exhibitions in China and abroad, including the California-Pacific Triennial (2013), Busan Biennale (2010), and Prague Biennale (2009). Internationally renowned institutions he has collaborated with include the Ullens Center for Contemporary Art, CAFA Art Museum, Today Art Museum, Minsheng Art Museum, National Art Museum of China, Long Museum (Shanghai), Taikang Space (Beijing), Ludwig Museum (Germany), Museum Boijmans Van Beuningen (Rotterdam, Netherlands), Museion (Bolzano, Italy), White Rabbit Gallery (Sydney, Australia), Asian Art Museum (USA), and the Rubell Family Collection and Contemporary Arts Foundation (USA), among others. Recent solo exhibitions include “Wang Guangle: Waves” at Beijing Commune, Beijing (2021) and “Wang Guangle: Dual Colors” at Pace Gallery, New York (2019). Other significant solo shows include “Shou Qi” at aye gallery, Beijing (2007); “Hanyu” at Onemoon Art Gallery, Beijing (2005); “Wang Guangle Solo Exhibition” at Beijing Commune (2009, 2011); and “Wang Guangle in Taiwan” at Soka Art Center, Taipei (2011). Group exhibitions include “Re-painting” at Platform China Contemporary Art Institute Space (2012); “Reshaping History: Chinese New Art 2000–2009” at the National Convention Center (2010); “AAC 2008 Art China: Annual Young Artist Exhibition” (2009); “Monologue: The Reconstruction of Art” at Shuimu Contemporary Art Space (2008); “China’s Evolution: Focus on Beijing” at Ludwig Museum Koblenz, Germany (2008); “Objects as They Are: Themes of Objects in Contemporary Art” at Magee Art Gallery, Beijing (2008); “New Interface 3” at Red Bridge Gallery, Shanghai (2007); “Refresh” at Shanghai Zendai Museum and Arario Gallery, Beijing (2007); “Blank Exhibition” at Ke Center for Contemporary Arts, Shanghai (2007); “Abstract Narratives” at Deshan Art Space, Beijing (2007); “New Interface – UP Generation Landing Exhibition” at Red Bridge Gallery (2006); “Form Without Form: Chinese Abstract Painting Exhibition” at Onemoon Art Gallery, Beijing (2006); “The Format Determines Attitude: First 5×7″ (Pingyao) Photo Biennale” at TS1 Contemporary Art Center, Beijing and Pingyao, Shanxi (2006); “N12: The Fourth Exhibition” at Xiwu Gallery, Beijing (2006); “Bad Kids’ Sky” at Star Gallery, Beijing (2005); “Turning Hand to Clouds, Covering Hand to Rain” at TS1 Contemporary Art Center, Beijing (2005); “N12: The Second Exhibition” at CAFA Art Museum, Beijing (2004); “Youth Spirit: Chinese New Painting Award” (silver award) at He Xiangning Art Museum, Shenzhen (2004); and “Painting to the 12th Power” at the Central Art Museum (2003).

代表作Selected Works

王光乐《47罐丙烯》
47罐丙烯
布面丙烯 · 180.0×140.0cm · 2004

展览履历Exhibitions

艺见洞察ArtMatters Insights

代表作与创作Selected Works & Style

王光乐的代表作之一是2004年创作的布面丙烯作品《47罐丙烯》。

他的艺术实践以“时间性”为贯穿始终的核心主题,特点是通过颜料在画布上逐层叠加的创作方式,将流逝的时间凝固下来,并使之转化为一种纯粹、带有冥想气质的抽象语言,在绘画过程中沉淀出时间自身的肌理。

Wang Guangle’s representative works include the seminal painting *47 Cans of Acrylic* (2004) and his widely recognized *Coffin Paint (寿漆)* series. His creative style is rooted in Conceptual and Abstract art, with a profound focus on **temporality and materiality**. Through a meditative, repetitive process, he applies layer upon layer of acrylic paint on canvas, allowing each layer to dry and leave a subtle trace. This accumulation of pigment transforms the passing of time into a physical, sculptural surface—blurring the line between painting and object. The result is a restrained, near-monochrome abstraction that conveys a deep sense of silence, memory, and the existential weight of lived time.

展览与收藏Exhibitions & Collections

根据平台档案,**王光乐**曾在以下主要机构展出或合作:

- 中国机构:尤伦斯当代艺术中心、中央美术学院美术馆、今日美术馆、民生现代美术馆、中国美术馆、上海龙美术馆、北京泰康空间、北京公社、佩斯画廊(纽约)、站台中国当代艺术机构、水木当代空间、北京玛吉画廊、上海红桥画廊、上海证大美术馆、北京阿拉里奥画廊、上海可当代艺术中心、北京德山艺术空间、北京一月当代画廊、北京TS1当代艺术中心、北京西五画廊、北京星空间画廊、深圳何香凝美术馆、又生空间等。

- 国际机构:德国路德维希美术馆、荷兰鹿特丹布尼根博物馆、意大利博茨瓦诺当代美术馆、澳大利亚悉尼白兔美术馆、美国亚洲艺术博物馆、美国卢贝尔家族收藏和当代艺术基金会等。

作品被收藏的机构包括:

上述合作机构中的多家美术馆、基金会及重要私人收藏(如卢贝尔家族收藏等)。档案中未逐一列出所有购藏单位,但根据其展览与项目合作记录,这些机构通常也构成其作品的收藏方。

Wang Guangle has exhibited widely at both institutional venues and commercial galleries internationally and in China. His solo exhibitions include shows at Beijing Commune (Beijing), Pace Gallery (New York), Aye Gallery (Beijing), Soka Art Center (Taipei), and One Month Gallery (Beijing). Group exhibitions featuring his work have been held at major biennials and museums, such as the California-Pacific Triennial, Busan Biennale, Prague Biennale, UCCA (Beijing), CAFA Art Museum (Beijing), Today Art Museum (Beijing), Minsheng Art Museum (Shanghai), National Art Museum of China (Beijing), Long Museum (Shanghai), Taikang Space (Beijing), Ludwig Museum (Koblenz), Museum Boijmans Van Beuningen (Rotterdam), Museion (Bolzano), White Rabbit Gallery (Sydney), Asian Art Museum (San Francisco), and the Rubell Family Collection/Foundation (Miami). The institutions that collect his work notably include many of the same venues that have exhibited him, as well as other public and private collections such as UCCA, CAFA Art Museum, Today Art Museum, Minsheng Art Museum, National Art Museum of China, Long Museum, Taikang Space, Ludwig Museum, Boijmans Van Beuningen Museum, Museion, White Rabbit Gallery, Asian Art Museum, and the Rubell Family Collection.

回答由 AI 依据公开资料生成,仅供参考。AI-generated from public sources, for reference only.
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