王愫(wang su),1989年出生于中国山东,本科就读于新加坡南洋大学,2015年于英国中央圣马丁设计与艺术学院毕业,获硕士学位,现工作生活于希腊和北京。作为在国际化背景下成长起来的青年艺术家,她的创作融合东方性与全球性艺术理念,跨越国别与地缘文化领域,以重塑万物的超现实主义面貌著称。她对花朵、丛林等主题采用强烈的硬边处理和多色对撞,让人联想到乔治亚·欧姬芙标志性巨大花朵的内部微观世界;其画中自由的、即兴演奏式的曲线和色域,则带有美国抽象表现主义先驱海伦·弗莱肯泰勒极简又大胆的色彩抽象观念。王愫对波德莱尔、保罗·策兰等诗人的深刻理解,使她的画充满诗句中的音乐意象和神秘美学;亚里士多德的哲学经典引导她打开由强烈自我意识塑造的另一个世界通道,在她创造的超现实自然之界里,万物充满能量、具有奇幻特征,生长于有意打乱的空间层次中。具象的万物与条纹、色带等抽象精神符号结合,让观众沉浸于神秘生命的微观宏大。求学期间,她游历欧洲各大美术馆,尝试了现成品拼贴、丝网印刷、影像等多种创作形式,最终在绘画上找到自己的方向。此后,她的作品在世界多个大都市展出,与当代唐人艺术中心(香港)、Kypselian Salon Snehta Space(雅典)、Depo Darm Contemporary Art Space(雅典)、Century Members Club(伦敦)、Parfitt Gallery Croydon(伦敦)、Aout画廊(贝鲁特)、Art Number 23(雅典)、棱画廊(深圳)等国际艺术机构均有合作。2022年,王愫在邦瀚斯(香港)举办个展“万物有灵”;同年,由出版人苏芒创立的「頌」艺术中心宣布全球代理王愫,并于2023年5月推出她在中国内地的首个个展“极乐之地”。此外,她还参加了2022武汉双年展、北京当代艺博会、艺术广州国际艺博会等多个大型展会。
Wang Su (wang su), born in 1989 in Shandong, China, completed her undergraduate studies at Nanyang University in Singapore and received a master’s degree from Central Saint Martins College of Art and Design in the UK in 2015; she currently works and lives in Greece and Beijing. As a young artist raised in an international context, her practice merges Eastern and global artistic concepts, transcending national and geo‑cultural boundaries, and is known for a surrealist vision that reimagines all things. She applies a strong hard‑edge treatment and multi‑colour clashes to subjects such as flowers and jungles, recalling the inner microscopic worlds of Georgia O’Keeffe’s iconic large flowers; the free, improvisational curves and colour fields in her paintings carry the minimalist yet bold colour abstraction of American Abstract Expressionist pioneer Helen Frankenthaler. Wang Su’s deep understanding of poets such as Baudelaire and Paul Celan fills her paintings with the musical imagery and mystical aesthetics of verse; Aristotle’s philosophical classics guide her to open a passage into another world shaped by intense self‑consciousness. In the surreal natural realm she creates, all things brim with energy, possess fantastical traits, and grow within deliberately disrupted spatial layers. Figurative elements combined with abstract spiritual symbols like stripes and colour bands immerse the viewer in the microscopic grandeur of mysterious life. During her studies, she travelled to major museums across Europe, experimenting with ready‑made collage, screen printing, video and other media, before finally finding her direction in painting. Her works have since been exhibited in metropolises worldwide, with collaborations at international institutions including Tang Contemporary Art (Hong Kong), Kypselian Salon Snehta Space (Athens), Depo Darm Contemporary Art Space (Athens), Century Members Club (London), Parfitt Gallery Croydon (London), Aout Gallery (Beirut), Art Number 23 (Athens) and Lens Gallery (Shenzhen). In 2022, Wang Su held a solo exhibition, “Animism,” at Bonhams (Hong Kong); that same year, the “Song” Art Center, founded by publisher Su Mang, announced global representation of the artist, and in May 2023 launched her first solo exhibition in mainland China, “Land of Bliss.” In addition, she participated in major events such as the 2022 Wuhan Biennale, Beijing Contemporary Art Expo and Art Guangzhou International Art Fair.












王愫,1989年生于山东,现主要工作生活于希腊和北京。她的常用媒介为布面油画、丙烯及综合材料,题材聚焦于情感、生命、自然生态、记忆与时间等主题,其艺术面貌可归于表现性具象与浪漫主义脉络中。
**代表作**(部分选自其近年展览/著录作品,出自平台档案库):
- 《冰透出非人世的红—一个月亮》(2023,布面油画)
- 《梦碎成钱币,黑暗中交换奇迹》(2023,布面油画)
- 《光阴,你翔于沙丘》(2023,布面油画)
- 《夜树的皮,天生锈蚀的刀子》(2022,布面油画)
- 《霉一样的绿,是忘却的家》(2022,布面油画)
- 《这个秋天将意味深长》(2023,布面油画)
**创作特点**:
1. 超现实的自然界与微观宏大感——她常以花朵、丛林等自然物象为对象,进行强烈硬边处理和多色对撞,画中世界带有乔治亚·欧姬芙式微观花朵内部的巨大感,以及海伦·弗莱肯泰勒式自由曲线与大胆色彩抽象的观念。
2. 诗歌、哲学与音乐意境的视觉化——她对波德莱尔、保罗·策兰等诗人的研读,使画面蕴含诗句般的音乐意象与神秘美学;亚里士多德的哲学引导她进入一种由强烈自我意识构筑的另一个世界通道。
3. 具象与抽象精神符号的交织——她在作品中融合具象万物与条纹、色带等抽象符号,有意打乱空间层次,形成超现实、充满能量和奇幻特征的生命场域,让观众沉浸于神秘生命的微观宏观交错之中。
4. 国际化与东方性的融合——她的绘画跨越国别与地缘文化,将东方精神(如万物有灵)与全球性艺术语言相结合,画中万物生长于错位的空间,呈现出重塑现实的超现实主义面貌。
Based on the structured artist profile, here is an overview of Wang Su's representative works and creative style.
**Representative Works**
Her notable paintings include works primarily from 2022 and 2023, such as:
- *Ice Reveals a Red that is not Part of this World – a Moon* (2023)
- *这个秋天将意味深长* (This Autumn Will Be Meaningful) (2023)
- *梦碎成钱币,黑暗中交换奇迹* (Dreams Shatter into Coins, Miracles Exchanged in the Dark) (2023)
- *光阴,你翔于沙丘* (Time, You Soar Over the Dunes) (2023)
- *霉一样的绿,是忘却的家* (A Mold-like Green is the Home of Forgetting) (2022)
- *夜树的皮,天生锈蚀的刀子* (The Bark of Night Trees, Born Rusted Knives) (2022)
All these works are created with oil on canvas.
**Creative Style**
Wang Su's style can be described as figurative, expressive, and imbued with a surrealist vision of the natural world. Her paintings often focus on themes of emotion, life, ecology, memory, and time.
Working mainly in oil on canvas, she employs strong hard-edge treatment and vibrant color collisions, reminiscent of Georgia O’Keeffe’s magnified inner worlds of flowers. At the same time, her free, improvisational curves and color fields echo the minimal yet bold abstraction of Helen Frankenthaler.
Her deep engagement with poets like Baudelaire and Paul Celan infuses her work with musical imagery and a mysterious aesthetic drawn from verse. Philosophical influences, particularly Aristotle, help her open passageways into another world shaped by intense self-awareness, where all things are full of energy, fantastical traits, and grow in deliberately disordered spatial layers. In her paintings, figurative elements merge with abstract spiritual symbols such as stripes and color bands, inviting viewers into a surreal realm where the microscopic becomes monumental.
根据“结构化艺术家档案数据”,王愫曾在以下机构展出或有合作:
- **画廊及艺术空间**:当代唐人艺术中心(香港)、Kypselian Salon Snehta Space(雅典)、Depo Darm Contemporary Art Space(雅典)、Century Members Club(伦敦)、Parfitt Gallery Croydon(伦敦)、Aout画廊(贝鲁特)、Art Number 23(雅典)、棱画廊(深圳)、颂艺术中心(北京,并于2023年在此举办内地首个个展“极乐之地”)。
- **拍卖行/其他空间**:邦瀚斯(香港,2022年个展“万物有灵”)。
- **双年展/艺博会**:2022武汉双年展、北京当代艺博会、艺术广州国际艺博会。
关于**被哪些机构收藏**,目前该档案中未收录相关收藏记录,因此暂无法提供确切信息。
Wang Su has exhibited at a range of international venues and art fairs. Her solo presentations include “Animism” at Bonhams Hong Kong (2022) and “Land of Bliss” at Song Art Center in Beijing (2023), which globally represents her. She has collaborated with or shown work at Tang Contemporary Art (Hong Kong), Kypselian Salon Snehta Space (Athens), Depo Darm Contemporary Art Space (Athens), Century Members Club (London), Parfitt Gallery Croydon (London), Aout Gallery (Beirut), Art Number 23 (Athens), and Prism Gallery (Shenzhen). Group and fair participations include the 2022 Wuhan Biennale, Beijing Contemporary Art Fair, and Art Guangzhou International Art Fair.
The available artist archive does not identify specific museums or institutional collections that hold her work.