王鑫焱(Wang Xin Yan),1995年出生于北京。她于2009年至2013年就读于中央美术学院附中,2013年保送至中央美术学院油画系第四工作室,2017年获学士学位;其间于2016年至2017年在瑞士苏黎世艺术大学学习纯艺术专业。2017年,她再次保送至中央美术学院油画系第四工作室攻读硕士学位,并于2020年毕业。目前工作生活在北京。王鑫焱的创作观念多从个人经历与艺术探索出发,其作品曾多次参展并获奖。重要个展包括2018年在中央美术学院油画系展厅举办的“上古天真论”。群展经历丰富,涵盖2019年第四届保利“学院之星”当代艺术巡展(北京、浙江义乌)、“绽放”(杭州)、“桃花源计划”(成都)、“后生”(北京)、“798画廊周——万物生长”(北京)、“惟其——中国当代艺术展”(阿根廷乌斯怀亚);2018年“粉陌登场”(北京)、“诙谐方式——FUN草地”(北京)、“中医艺术图鉴”(成都)、“没展”(上海)、《ASA-XYZ》青年艺术家奖提名展(北京)、“艺术北京”(北京)、《智造——中国当代艺术南美巡回汇报展》(北京)、“今日未来馆”启动展(北京)、“跃动艺术”(北京);2017年中央美术学院本科生毕业展(北京)、《智选——中国当代艺术展》(智利国家美术馆/秘鲁印加加西文化中心)、“耳语”(北京)、《ASA-XYZ》青年艺术家奖提名展(北京);2016年《色彩共生·中国当代艺术家交流巡展》(巴拿马当代艺术博物馆/哥斯达黎加国家画廊)、“ECHO”(瑞士苏黎世大学美术馆)、“科技萨满主义”(苏黎世艺术大学美术馆)、“行为的力量”(德国柏林)、“中瑞艺术交流展”(瑞士苏黎世大学美术馆)、“对话 对望 会议桌”(德国慕尼黑)、中央美术学院“春季写生优秀作品展”及在校生优秀作品展(北京);2014年中央美院附中建校60周年纪念展(北京)。所获奖项包括2018年中央美术学院研究生院全奖奖学金;2017年中央美术学院本科优秀毕业生及“中拉文化交流”优秀奖;2016年中央美术学院二等奖学金;2015年中央美术学院二等奖学金及“春季写生优秀个人奖”;2014年国家奖学金及中央美术学院一等奖学金。作品被多家机构收藏:2017年智利国家美术馆收藏《经络穴位图解新》;2016年巴拿马当代艺术博物馆收藏《小黄鸭》《一闪一闪亮晶晶》;另有作品被苏黎世相关机构收藏。
Born in Beijing in 1995, Wang Xinyan graduated from Central Academy of Fine Arts with an undergraduate degree in 2017, and received her MFA from Central Academy of Fine Arts and the School of the Art Institute of Chicago in 2020 and 2022, respectively. She currently lives and works in Beijing. Her interest and focus on prehistoric civilisation is evident in her recent practice, where silhouetted objects, rough brushstrokes and dark brown tones envelop the canvas. Drawing on petroglyphs and the underlying totems, symbols and rituals, Wang discovers a suitable vessel for the visualisation of her subconscious, integrating the fragments of her everyday inspirations to achieve a cathartic and pictorial exploration of her emotions. In particular, the ‘primitive’ or the ‘primitivist’ interest revealed in Wang’s work is not the objective of her practice, but rather a ‘black mirror’ that imposes a criterion of judgement on external perceptions, signifying her rejection of the inherent aesthetic standards and the pursuit of the basic laws of simplicity and value.












王鑫焱(1995—),中央美术学院油画系第四工作室学士、硕士,现工作生活于北京。其创作以布面油画为主,兼用丙烯、综合材料,风格介于具象艺术、表现性具象与象征主义之间,常围绕记忆与时间、梦境、情感、生命等主题展开。
**近期代表作**(据平台档案):
《蜂蜜,檀香木,沉入初樱绽放的河流》《安魂曲,漫游,夜幕无序》《玫瑰,黑榛子,纠缠—篮篮野生的吻》《日光里的跳跃》《空白处的蜂鸣》《夏,柑橘,青苔木》《春,柳絮,樱绯雨》《玛瑙,小麦,透明的桃子》《烟圈与蜂群共享的螺旋》《猫胡须丈量光线的宽度》《红土》《猎户座散落的金沙》等,多为2025年布面油画。
**创作特点**:
王鑫焱的画面常出现剪影式物象、粗放笔触与黑褐色调,她从石刻岩画、图腾、符号与仪式中提取视觉元素,将潜意识碎片转化为可感的绘画空间。这种“原始”趣味并非对远古的简单模仿,而是以原始主义为镜像,抵抗固有审美标准,追索单纯的形式法则与价值意义。近期创作如《忘川》,进一步把原始景观与时间层积延展为地下世界想象:洞穴结构、菌类形态、骨骼般物象交错,红色线状结构像血管、菌丝或隐秘水系不断蔓延,使画面具有持续生长、扩散的生命感。
According to the platform’s artist archive, **Wang Xin Yan** (b. 1995, Beijing) works primarily in **oil on canvas, acrylic, and mixed media**. Her practice is categorized under **figurative art, expressive figuration, and symbolism**, with recurring themes of **memory and time, dreams, emotion, and life**.
Her recorded representative works in the archive include poetic, symbolically charged paintings such as:
- *Honey, Sandalwood, Sinking into the River of First Cherry Blossoms* (2025)
- *Requiem, Wandering, Disordered Night* (2025)
- *Rose, Black Hazelnut, Entangled—A Basket of Wild Kisses* (2025)
- *Daylight’s Leap* (2025)
- *Buzzing in the Blank Space* (2025)
- *Summer, Citrus, Moss Wood* (2025)
- *Spring, Willow Catkins, Cherry Blossom Rain* (2025)
- *Agate, Wheat, Transparent Peach* (2025)
- *Smoke Rings and Bee Swarms Share a Spiral* (2025)
- *Cat Whiskers Measure the Width of Light* (2025)
- *Red Earth* (2025)
- *Gold Dust Scattered by Orion* (2025)
Stylistically, her work combines figurative painting with expressive and symbolic tendencies. The titles and imagery suggest an interest in sensory experience, inner emotional states, memory, and dreamlike atmospheres. She often uses layered color and material effects to build a poetic, contemplative visual language.
Her background also informs this approach: she studied at the Fourth Studio of the Oil Painting Department at the Central Academy of Fine Arts and later at Zurich University of the Arts. She held a notable solo exhibition titled *Shanggu Tianzhen Lun* in 2018 and has participated in numerous group exhibitions in China and abroad.
根据平台结构化艺术家档案数据,王鑫焱的展出机构与收藏机构情况如下:
**一、展出机构(含展览/项目)**
- **中央美术学院油画系展厅**:2018年个展“上古天真论”。
- **中央美术学院**:2017年本科生毕业展;多届春季写生优秀作品展及在校生优秀作品展。
- **中央美院附中**:2014年中央美院附中建校60周年纪念展。
- **蜂巢当代艺术中心(北京)**:2025年“漫步”;2026年“哎呀!哎呀!我要迟到了!”;2026年“轻狂欢:蜂巢·生成 · 甬道”等。
- **FRIEZE SEOUL(韩国COEX)**:2026年,由蜂巢当代艺术中心呈现。
- **智利国家美术馆**:2017年《智选——中国当代艺术展》。
- **秘鲁印加加西文化中心**:2017年《智选——中国当代艺术展》。
- **巴拿马当代艺术博物馆**:2016年《色彩共生·中国当代艺术家交流巡展》。
- **哥斯达黎加国家画廊**:2016年《色彩共生·中国当代艺术家交流巡展》。
- **瑞士苏黎世大学美术馆**:2016年“ECHO”;2016年“中瑞艺术交流展”。
- **苏黎世艺术大学美术馆**:2016年“科技萨满主义”。
- **今日未来馆(北京)**:2018年启动展。
- 其他群展还包括:第四届保利“学院之星”当代艺术巡展(北京、浙江义乌)、艺术北京(北京)、798画廊周“万物生长”(北京)、阿根廷乌斯怀亚“惟其——中国当代艺术展”等。
**二、收藏机构**
- **智利国家美术馆**:收藏《经络穴位图解新》(2017)。
- **巴拿马当代艺术博物馆**:收藏《小黄鸭》《一闪一闪亮晶晶》(2016)。
- **苏黎世相关机构**:另有多件作品被收藏(具体机构名称档案中未列明)。
**Wang Xin Yan** (b. 1995, Beijing) has exhibited in China and internationally. According to the platform’s artist archive, her exhibition history includes a solo show **“上古天真论”** at the Central Academy of Fine Arts Oil Painting Department (2018), as well as many group exhibitions, including:
- 4th Poly “Academy Stars” Contemporary Art Tour, Beijing and Yiwu, Zhejiang (2019)
- “Bloom,” Hangzhou (2019)
- “Peach Blossom Spring Project,” Chengdu (2019)
- “798 Gallery Week – All Things Grow,” Beijing (2019)
- “Only This – Chinese Contemporary Art Exhibition,” Ushuaia, Argentina (2019)
- “No Exhibition,” Shanghai (2018)
- “Art Beijing,” Beijing (2018)
- “Today’s Future Museum” launch exhibition, Beijing (2018)
- “Smart Choice – Chinese Contemporary Art,” Chilean National Museum / Inca Garcilaso Cultural Center, Peru (2017)
- “Color Symbiosis,” Panama Museum of Contemporary Art / Costa Rica National Gallery (2016)
- “ECHO,” Zurich University Art Museum, Switzerland (2016)
More recent archived exhibition entries include:
- **Frieze Seoul**, COEX, with Hive Center for Contemporary Art (2026)
- **“Light Carnival: Hive Becoming · Corridor,”** Hive Beijing Headquarters (2026)
- **“Oops! Oops! I’m Late!”**, Hive Beijing, 798 Art District (2026)
- **“Stroll,”** Hive Beijing (2025)
Institutions that collect her work include:
- **Museo Nacional de Bellas Artes, Chile** (National Museum of Fine Arts, Chile) — *经络穴位图解新* (2017)
- **Panama Museum of Contemporary Art** — *小黄鸭* and *一闪一闪亮晶晶* (2016)
- Additional works are held by Zurich-related institutions, though the specific institution is not named in the archive.