王源远(1986年生于浙江省丽水市),2010年本科毕业于中国美术学院油画系第三工作室,获学士学位;2013年研究生毕业于同校同工作室,获硕士学位。现工作生活于杭州。其创作观念复杂而多元,认为艺术是夏日的微风、沙滩的落日、林间的曲径、夜幕下的灯火,也是喜怒哀乐与白日梦。作品涵盖从平静到激荡的情绪,如平地惊雷与雨润宝树。他通过绘画回溯历史与理想家园,视艺术为连接过去与记忆的媒介。
idea of reincarnation. Technically, I have always felt like a sponge, an artist who is able to absorb and pick up the strengths of various schools of thought, paints across historical texts and incorporates imagination as well. At least, I enjoy this sense of richness. My creation is always interspersed with different series, rather than repeating the same subject matter all the time. Although the subject matter varies a little, there are still some interspersions and transitions in the way of expression. I think everything can be used and mobilized to serve my creation, such as martial arts novels, electronic music, cult movies, advertising illustrations, ukiyo-e, and comics. All these art disciplines that I am interested in will serve as my nourishment. But sometimes there is a problem. I do not pursue a deep understanding or engage in textual research. Instead, I prioritize intuition and a more action-oriented approach. 1986 Born in Lishui, Zhejiang Province 2010 Graduated from Studio 3, Oil Painting Department of China Academy of Art with a Bachelor,s degree 2013 Graduated from Studio 3, Oil Painting Department of China Academy of Art with a Master ,s degree Currently Lives in Hangzhou












以下信息基于平台“结构化艺术家档案数据”,创作脉络部分参考文章上下文补充。
### 一、基本信息
王源远,1986年生于浙江省丽水市。2010年本科毕业于中国美术学院油画系第三工作室,2013年研究生毕业于同校同工作室,现工作生活于杭州。
### 二、代表作
根据档案记录,王源远的代表性作品包括:
- 《大风雪堂》(2021)
- 《观海残雪图》(2022)
- 《嵬山行》(2022)
- 《快雪时晴 5》(2022)
- 《格物之问 2》(2023)
- 《有佛堂的内室》(2023)
- 《有犍陀罗雕像的房间2》(2023)
- 《西夏瓷艺人的作坊》(2024)
- 《与谁同坐》(2025)
- 《天海光流》(2026)
- 《扶光疏影》(2026)
### 三、创作特点
**常用媒介与题材**
王源远主要使用布面油画、丙烯与综合材料进行创作。作品题材集中在风景、记忆与时间、故乡、自然生态与情感等方面。
**风格特征**
其创作被归入表现性具象、意象、浪漫主义与装饰性等范畴。画面既有具象可辨的形象,又带有强烈的意象性与情感投射,语言上兼具浪漫氛围和装饰性的形式感。
**创作观念**
档案中描述,王源远认为艺术是“夏日的微风、沙滩的落日、林间的曲径、夜幕下的灯火,也是喜怒哀乐与白日梦”。他的作品覆盖从平静到激荡的不同情绪,既有“平地惊雷”式的强烈表达,也有“雨润宝树”般的柔和浸润。他通过绘画回溯历史与理想家园,把艺术视为连接过去与记忆的媒介。
**创作脉络补充**
从文章上下文看,王源远的个展经历了“雾之幻惑”“人间烟火”“长生殿”“幻林”“独乐园”“仇英的房间”“寐穷泉壑”等阶段。这些展览主题显示出他长期围绕园林、诗意空间、历史想象与个人记忆展开工作,尤其近年以“仇英的房间”“寐穷泉壑”等项目,强化了与古典文人空间、文本传统之间的对话。
**Wang Yuan Yuan** (王源远, b. 1986) is a Chinese artist born in Lishui, Zhejiang Province. He graduated from the Oil Painting Department of the China Academy of Art (Third Studio) with a bachelor’s degree in 2010 and a master’s degree in 2013, and currently lives and works in Hangzhou.
**Representative works** include:
- *天海光流* (2026), oil on canvas
- *大风雪堂* (2021), oil on canvas
- *格物之问 2* (2023), oil on canvas
- *有佛堂的内室* (2023), oil on canvas
- *西夏瓷艺人的作坊* (2024), oil on canvas
- *嵬山行* (2022), oil on canvas
- *扶光疏影* (2026), oil on canvas
- *观海残雪图* (2022), oil on canvas
- *快雪时晴 5* (2022), oil on canvas
- *有犍陀罗雕像的房间2* (2023), oil on canvas
- *与谁同坐* (2025), oil on canvas
**Creative style:**
Wang Yuan Yuan’s practice is characterized by **expressive figuration**, **poetic imagery**, **romanticism**, and a **decorative sensibility**. He works primarily in **oil on canvas**, **acrylic**, and **mixed media**. His recurring themes include **landscape, memory and time, hometown, natural ecology, and emotion**.
His creative approach is described as complex and diverse: he sees art as akin to a summer breeze, a beach sunset, a forest path, or nighttime lights, as well as a range of emotions from calm to turbulent. Through painting, he looks back at history and an ideal homeland, treating art as a medium that connects the past with memory.
根据平台现有的艺术家档案数据,王源远的展出机构信息如下:
**展出机构/场馆**(依据档案展览记录)
- **玉兰堂(上海)**:2026年《无边光景》;2023年《仇英的房间》(场馆未标注,由玉兰堂呈现)
- **和美术馆**:2026年《扶光入胜》
- **上海展览中心**:ART021 2026 玉兰堂展位
- **虹·美术馆(苏州)**:2025年《寐穷泉壑》
- 合作/代理画廊:**玉兰堂**(多场个展及博览会由其呈现)
**收藏机构**
平台现有艺术家档案中**未收录明确的收藏机构信息**,因此无法确认王源远作品被哪些美术馆或机构收藏。已有拍卖记录仅能说明其作品曾进入中国嘉德、北京保利、永乐、开拍、华艺等拍卖行交易,但拍卖行不等同于收藏机构。
Wang Yuan Yuan has exhibited at the following venues, according to the available archive:
- **Yulangtang (Line Gallery), Shanghai** — “无边光景” (2026) and “仇英的房间” (2023)
- **He Art Museum** — “扶光入胜” (2026)
- **Shanghai Exhibition Center** — “ART021 2026 Yulangtang” (2026)
- **Hong Art Museum, Suzhou** — “寐穷泉壑” (2025)
The available structured archive does **not** list any collecting institutions for Wang Yuan Yuan’s work. No museum or institutional collection information is recorded in the current profile.