简介Biography
吴海峰（1997年出生）是一位以绘画为主要媒介的艺术家，其创作围绕时间、感知与向内沉浸的状态展开，通过人物、空间、植物与音乐性等元素构建画面，运用坦培拉缓慢而反复的覆盖过程，建立一种安静、克制且富有停顿感的视觉结构。音乐性元素贯穿其近年创作，钢琴、笛子、吉他等形象不仅是具体物象，也成为时间流动的隐喻；他关注音乐与绘画之间的关系，试图通过绘画承载原本属于听觉的经验。2025年，吴海峰参展蜂巢当代艺术中心群展“未介之时”，由陈宇滢策展。2026年，他在伯年艺术空间举办首次个展“空处余音”，由王垚力策展，呈现其新近创作的二十余件木板坦培拉作品。
WU Haifeng (b. 1997) is an artist who works primarily with painting. His practice revolves around time, perception, and states of inward immersion. Through elements such as figures, space, plants, and musicality, he constructs pictorial compositions. Employing the slow, repetitive layering process of tempera, he builds a quiet, restrained visual structure imbued with a sense of pause.
Musical elements run through his recent works. Images of piano, flute, guitar, and the like are not only concrete objects but also metaphors for the flow of time. He explores the relationship between music and painting, attempting to convey through the visual medium experiences that originally belong to the auditory realm. In 2025, WU Haifeng participated in the group exhibition “The Time Unframed” at Hive Center for Contemporary Art, curated by Chen Yuying. In 2026, he held his first solo exhibition “Echoes in Emptiness” at Bonian Art Space, curated by Wang Yaoli, presenting over twenty recent tempera on panel works.
代表作Selected Works
展览履历Exhibitions
- 2026海上计划 第二回：洄游上海圣佳艺术空间
- 2026空处余音伯年艺术空间
- 2025未介之时蜂巢生成 | 上海 · 蜂巢当代艺术中心
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台公开的艺术家档案，吴海峰（WU Haifeng，1997‑ ）是一位以坦培拉为主要媒介的当代画家。他的创作围绕**时间、感知与向内沉浸的状态**展开，通过人物、空间、植物与**音乐性**等元素构建画面，运用坦培拉缓慢而反复的覆盖过程，建立一种**安静、克制且富有停顿感的视觉结构**。
### 代表作
其近年具有代表性的作品包括《鸣》《63仓》（2025）、《降临》《触》《下午茶》《夜曲》《对谈》《坐忘虚舟》《双喜图》《浮梦》《夜猫子》（2026）等，均为木板坦培拉，呈现了艺术家对音乐与绘画关系的持续关注。
### 创作特点
- 以**时间与感知**为核心，通过坦培拉的多层罩染和覆盖，让画面在层层叠加中生成厚度与时间的痕迹，形成一种内敛、缓慢的观看状态。
- 引入**音乐性元素**，如钢琴、笛子、吉他等形象，不仅是具体物象，更是时间流动的隐喻；他试图探索绘画承载听觉经验的可能，使作品带有某种“余音”般的空间感。
- 在视觉结构中强调**停顿与克制**，避免即时书写，从而营造出一种沉静、近乎冥想的气氛，让观者在静止的画面前进入持续的自我对峙。
### 重要展览
- 《空处余音》个展（2026，伯年艺术空间）
- 《未介之时》群展（2025，蜂巢生成·上海）
- 《海上计划 第二回：洄游》群展（2026，上海圣佳艺术空间）
上述作品与展览均来自公开档案，可视为其目前较为明确的创作面貌与活动轨迹。
WU Haifeng (b. 1997) is an artist primarily working with tempera on panel. His representative works include *鸣* (Chirping, 2025), *降临* (Arrival, 2026), *夜曲* (Nocturne, 2026), *对谈* (Dialogue, 2026), and *坐忘虚舟* (2026), among others.
His creative style is characterized by a meditative, introspective approach that revolves around time, perception, and an inward state of stillness. Using the slow, repetitive layering process of egg tempera, he builds compositions from figures, spaces, plants, and musical motifs, constructing a visual structure that is quiet, restrained, and punctuated by a sense of pause. Musical elements — such as pianos, flutes, and guitars — feature prominently in his recent practice, functioning not merely as depicted objects but as metaphors for the flow of time; he explores the relationship between music and painting, attempting to translate the experience of listening into a visual register.
展览与收藏Exhibitions & Collections
根据艺术家档案资料，吴海峰曾在以下艺术机构展出：
**展览经历**
- 2026年，参加群展“海上计划 第二回：洄游”，展出地点为**上海圣佳艺术空间**。
- 2026年，举办个展“空处余音”，展出地点为**伯年艺术空间**。
- 2025年，参加群展“未介之时”，展出地点为**蜂巢当代艺术中心**（蜂巢生成 | 上海）。
关于机构收藏情况，目前公开的档案资料中暂无相关信息。
WU Haifeng has exhibited at the following venues:
- **Hive Center for Contemporary Art**, Shanghai (group exhibition *未介之时*, 2025)
- **Bonian Art Space**, Beijing (solo exhibition *空处余音*, 2026)
- **Shanghai Shengjia Art Space**, Shanghai (group exhibition *海上计划 第二回：洄游*, 2026)
At present, there is no information in the available archival data regarding any institutional collections of his work.
