吴思林
简介Biography
吴思林（1992年出生），2015年毕业于中央美术学院实验艺术专业，2021年于中央美术学院版画系获硕士学位。2024年，她在空白空间举办第二次个展“世界就这样持续了很久”，展出其最新丙烯绘画创作。此次展览中，吴思林将创作焦点转向“灾难”主题，描绘战争、洪水等人为与自然灾难带来的景象。她的作品延续了充满想象力的细节与多重透视手法，并常对画框进行改造或雕塑化处理，以增强观看体验与画面内容的有机统一。例如，《空袭》中以线描勾勒战斗机与残缺窗帘、风铃等元素；《残骸》通过放大形体差距表现坦克的碾压感；《人类搬走以后》通过添加物件改变视角；《网》以延伸边框强化网状结构。画作中反复出现的树木，即便被灾难倾覆仍勉力生长，而《残骸》中坦克炮管绽放的玫瑰则暗示了希冀，反映了她对动荡世界的体悟与反思。
Wu Silin was born in Chongqing, China in 1992 and now lives and works in Beijing. She received her bachelor from the School of Experimental Art of the Central Academy of Fine Arts in 2015 and master degree from the Printmaking Department of the Central Academy of Fine Arts in 2021.
代表作Selected Works
展览履历Exhibitions
- 2024世界就这样持续了很久空白空间
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
吴思林（1992年出生）是一位活跃于当代艺术领域的艺术家，她的创作以**绘画**为核心，并常延伸至对画框的改造或雕塑化处理，以此强化观看体验与画面内容的统一。
她的创作特点鲜明，常以充满想象力的细节与**多重透视**的手法，构建出极具个人风格的艺术世界。近年来，她的创作焦点转向了“灾难”主题，描绘战争、洪水等人为与自然灾难带来的景象，但其作品中总蕴含着一种内在的生命力与希望。例如，她在画作《残骸》中通过放大形体差距表现坦克的碾压感，而炮管上绽放的玫瑰则暗示了希冀；反复出现的树木即便被灾难倾覆仍勉力生长，反映了她对动荡世界的体悟与反思。
其代表作多集中于近期个展“世界就这样持续了很久”（2024，空白空间），包括：
* **《空袭》**：布面丙烯，以线描勾勒战斗机与残缺窗帘、风铃等元素。
* **《残骸》**：布面丙烯、密度板、松木、铁丝等综合材料。
* **《人类搬走以后》**：铝板丙烯、棉布、绢布，通过添加物件改变观看视角。
* **《网》**：布面丙烯、松木、核桃木，以延伸边框的手法强化网状结构。
她的常用媒介包括**油画、版画、综合材料与装置**，题材广泛涉及人物、城市景观、情感、梦境、社会评论及记忆与时间等。
Wu Si Lin (born 1992) is a Chinese contemporary artist who graduated from the Central Academy of Fine Arts with a bachelor’s in experimental art (2015) and a master’s in printmaking (2021). Her practice spans oil painting, printmaking, mixed media, and installation, often blending figuration with conceptual and abstract sensibilities.
**Representative works** (recent examples from her 2024 solo exhibition “The World Has Lasted Like This for a Long Time”):
- *Safe House* (2023), acrylic on canvas, density board, copper wire, nylon rope
- *The Flood Submerged the Forest* (2023), acrylic on canvas, quartz sand, density board
- *Wreckage* (2024), acrylic on canvas, density board, pine, iron wire
- *Air Raid* (2024), acrylic on canvas, density board
- *The Tree’s Monument* (2024), acrylic on canvas, pine
- *The Yellow Room* (2024), acrylic on canvas, pine, resin
- *After Humans Moved Away* (2024), acrylic on aluminum plate, cotton cloth, silk
**Creative style**
Wu Si Lin’s recent work turns to themes of disaster—both man‑made and natural, such as war and floods—while retaining a highly imaginative and detail‑rich visual language. She employs multiple perspectives within a single composition and often sculpturally alters or extends the picture frame to unify the viewing experience with the painted content. For instance, she uses fine line‑drawing to depict fighter jets and torn curtains, exaggerates scale to convey crushing force, and adds physical objects like rope or resin to bridge two‑ and three‑dimensional space. Recurring motifs include trees that, even when overturned by catastrophe, continue to grow, and small gestures of hope (a rose blooming from a tank barrel). Through this fusion of painting and object, she reflects on a turbulent world and the resilience that persists within it.
展览与收藏Exhibitions & Collections
【展览经历】
吴思林（1992年出生）曾于2024年在北京的空白空间举办个展《世界就这样持续了很久》，展出其最新的丙烯绘画创作，探索“灾难”主题与多重透视手法。
【收藏信息】
关于吴思林的作品被哪些机构收藏，目前平台的艺术档案资料中暂无相关信息。如需进一步了解其代理画廊的完整履历或收藏记录，建议直接查阅空白空间（WHITE SPACE）的官方发布或联系画廊。
According to the available artist profile, **Wu Si Lin** has exhibited at **White Space (空白空间)**, where she held her second solo exhibition titled *The World Has Lasted This Long* in 2024.
As for institutional collections, the profile does not list any collecting institutions for her work, so that information is currently unavailable.
