徐海东(Xu Haidong),中国当代艺术家。2023年,其作品在LCE GALLERY举办的“游鱼和飞鸟”双人展中展出。根据展览前言,徐海东将创作视为内心的修行,作品是其为心灵绘制的画像。他通过将自我意识抽离,以陌生人的眼光审视内在情绪流动,创作呈现出深沉而向内的态势。其作品在色彩涂抹与刮除的反复操作中完成,最终以白色为主,其他色彩以斑驳痕迹藏匿其中,透露着内心的挣扎与隐忍。每件作品都讲述了一段对世界的失望以及最终与世界和解的心路历程。前言还指出,徐海东与同展艺术家张若愚均具有戏剧背景,其创作手法有意无意采用了“史诗剧”表演体系中的“间离效果”,以陌生化的眼光进行观察与创作。
Xu Haidong is a Chinese contemporary artist. In 2023, his works were exhibited in the two-person exhibition “Swimming Fish and Flying Birds” at LCE GALLERY. According to the exhibition foreword, Xu Haidong regards artistic creation as an inner spiritual practice, and his works are portraits painted for his soul. By withdrawing his self-consciousness, he examines the flow of internal emotions from the perspective of a stranger, resulting in works that exhibit a deep and inward-oriented tendency. His pieces are completed through repeated processes of applying and scraping off paint, ultimately dominated by white, with other colors concealed as mottled traces, revealing inner struggle and forbearance. Each work narrates a psychological journey of disappointment with the world and eventual reconciliation with it. The foreword also notes that Xu Haidong and the co-exhibiting artist Zhang Ruoyu both have theatrical backgrounds, and their creative approach consciously or unconsciously employs the “alienation effect” from the “epic theatre” performance system, observing and creating through a defamiliarized gaze.












根据平台的艺术档案资料,徐海东(Xu Haidong)是一位中国当代艺术家。
**代表作方面**:
根据档案记录,其主要作品多为 2024 年创作的《无题》系列,包括《无题 I》至《无题 XVII》等,常用媒介为**木板油彩**和**纸面油彩**。
**创作特点方面**:
徐海东将创作视为内心的修行,其艺术呈现深沉且向内的态势。
1. **色彩与技法**:他的作品在色彩涂抹与刮除的反复操作中完成,最终画面以**白色为主**,其他色彩仅以斑驳的痕迹藏匿其中,透露出内心的挣扎与隐忍。
2. **创作理念**:他将自我意识抽离,以陌生化的眼光审视内在情绪流动;作品往往讲述对世界的失望与最终和解的心路历程。
3. **独特背景**:档案指出其具有戏剧背景,创作手法有意无意采用了“史诗剧”表演体系中的**“间离效果”**,即以陌生化的眼光进行观察与创作。
其风格常涉及当代水墨、意象及实验性领域,题材多围绕自然生态、东方哲学以及记忆与时间展开。
Xu Haidong’s artistic practice is often described as an inward spiritual cultivation – a portrait of the soul. Working predominantly with oil on wood panel or paper, he develops his paintings through repeated cycles of applying and scraping away colour. The process results in a surface dominated by white, with traces of other hues hidden in the texture like faint memories, suggesting an inner struggle and restraint. His works are deeply introspective, observing the flow of emotions with a detached, almost alien gaze. This approach is informed by his background in theatre; he consciously employs a “defamiliarisation effect” (Verfremdungseffekt) akin to epic theatre, creating a critical distance that turns personal disappointment into a path toward reconciliation with the world.
His representative works include a series of untitled paintings created in 2024, such as *Untitled I* through *Untitled XVIII* (notably *Untitled II, III, V, VI, VIII, X, XII, XIII, XV, XVI, XVII*), executed in oil on wood panel or oil on paper. These pieces exemplify the subdued palette and layered, time‑infused process that characterise his distinctive visual language.
根据现有资料,徐海东曾于2023年在**LCE GALLERY** 举办的“游鱼和飞鸟”双人展中展出作品。该展览地点位于北京市朝阳区798艺术区。
关于收藏方面,目前公开的机构收藏信息暂无记录。
Based on the available artist profile data, Xu Haidong exhibited in a duo exhibition titled "游鱼和飞鸟" (Wandering Fish and Flying Birds) at LCE GALLERY, located in the 798 Art District in Beijing, in 2023.
There is no information on record regarding which institutions collect his work.