颜秉卿
简介Biography
颜秉卿（1983年出生于上海），2009年毕业于中国美术学院油画系，获硕士学位，现工作居住于北京。他的创作融合了坦培拉的材料美学特性与文艺复兴前期的平面性和弱透视空间感，并将其转化为个人化的当代梦境剧场。重要个展包括：2015年“荷尔蒙”（Hi艺术中心，北京）、2018年“噱头”（玉兰堂，北京）、2020年“独角戏”（玉兰堂，北京）、2021年“迷魂记”（浙江美术馆，杭州）。群展经历有：2009年“青涩创想巨人杯大学生年度提名展”、2012年第三届新星星艺术节、2013年第三届青年艺术100、2014年hi21青年艺术及第五届新星星艺术节、2015年“青春叙事--当代艺术家邀请展”（三未艺术中心）。
Yan Bingqing was born in Shanghai in 1983 and graduated from the oil painting department of China Academy of Art with a master's degree in 2009. Now he lives and works in Shanghai. Institutional collections include China Art Museum, Shanghai and Zhejiang Art Museum. In recent years, Yan Bingqing's creations have mainly focused on tempera painting on wooden panels. He has always been trying to find a state of "authenticity" in his paintings - to face things truthfully and to face oneself truthfully. The figures in the artist's works usually appear in front of the viewers in an unnatural posture and are often naked. He admits that he can precisely control the expression of a figure's body, but often cannot imagine what these people would look like when dressed; to be precise, clothes inherently carry too many hidden attributes - gender, age, era, preferences, culture, class, nationality. Therefore, when a figure is dressed, the expression may deviate from the pure state of the body itself, and expressing this pure state is very important - painting is the way for the artist to resist these external forces that he fundamentally doesn't need, and this seemingly insignificant resistance is part of his practice. In addition to painting, Yan Bingqing has also created many clay sculptures, pouring his most carefree state into them, exploring the act of "creation" as freely as a child.
代表作Selected Works
展览履历Exhibitions
- 2025于目光处上海市黄浦区四川中路33 号201-205 · 库比森画廊
- 2025利立浦特理想国又生空间
- 2025如此而过麦勒画廊
- 2023簇生 山与秋季群展ISLE Gallery · ISLE Gallery 山与艺术
- 2021迷魂记浙江美术馆10号展厅 · 玉兰堂
- 2020独角戏 个展Hi艺术中心
- 2019独角戏玉兰堂
- 2018噱头北京市朝阳区酒仙桥路10号恒通商务园B36-B座Hi艺术中心 · 玉兰堂
- 2018荷尔蒙 个展Hi艺术中心
- 2015荷尔蒙 个展Hi艺术中心
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
① **代表作**：据平台档案，颜秉卿的代表作多采用木板坦培拉，包括《猫园》（2018）、《平衡》（2017）、《大雨滴》（2016）、《洞穴》（2018）、《牛斗》（2017）、《大龙卷》（2017）、《东郭狼》（2018）、《摘果》（2017）、《火圈》（2022）以及近期的《浪奔》（2026）等。
② **创作特点**：颜秉卿的创作属于具象艺术，兼具表现性、装饰性与象征色彩。他尤其擅长运用坦培拉的材料美学，将文艺复兴前期的平面性构图和弱透视空间感，转化为高度个人化的当代视觉剧场。其作品常以人物、身体为载体，围绕情感、记忆与梦境展开叙事，在古典技法与当代精神之间建立起独特的连接。
Yan Bingqing (born 1983, Shanghai) is an artist recognized for his figurative, symbolic works executed primarily in tempera on board. His practice merges the material delicacy and flat, perspectival subtlety of early Renaissance painting with a contemporary, dreamlike theatricality. Representative works include *Cat Garden* (2018), *Balance* (2017), *Raindrop* (2016), *Cave* (2018), *Bullfight* (2017), *Tornado* (2017), *East Wolf* (2018), and *Fire Hoop* (2022), among others. His themes recurrently center on the human body, emotion, memory, time, and dreamscapes, often staged with a decorative yet psychologically charged atmosphere. By appropriating the formal language of old master tempera painting into a modern narrative, Yan creates a unique personal theater where gesture, space, and gentle anachronisms intertwine.
展览与收藏Exhibitions & Collections
① **展览经历**（来源：艺术家档案）
颜秉卿曾在以下机构、空间举办或参与展览（按时间倒序）：
- **库比森画廊**（上海，2025，“于目光处”）
- **又生空间**（2025，“利立浦特理想国”）
- **麦勒画廊**（2025，“如此而过”）
- **ISLE Gallery 山与艺术**（2023，“簇生 山与秋季群展”）
- **浙江美术馆**（杭州，2021，“迷魂记”，玉兰堂主办）
- **玉兰堂**（北京，2019，“独角戏”；2018，“噱头”）
- **Hi 艺术中心**（北京，2015，“荷尔蒙”）
此外，早年群展经历还包括：三未艺术中心（2015）、青年艺术 100（2013）、第三届新星星艺术节（2012）等。
② **收藏情况**
目前公开的结构化档案中未收录颜秉卿作品被哪些机构收藏的具体信息，因此这部分暂无数据可提供。若以后档案更新，可进一步补充。
Yan Bing Qing has presented his work in a number of solo and group exhibitions, primarily in China. Notable exhibition venues and hosting galleries include:
- **Ku Bisen Gallery** (Shanghai, “于目光处”, 2025)
- **MACA Space** (Beijing, “利立浦特理想国”, 2025)
- **Mai 36 Galerie** (Beijing, “如此而过”, 2025)
- **ISLE Gallery** (“簇生 山与秋季群展”, 2023)
- **Zhejiang Art Museum** (Hangzhou, solo exhibition “迷魂记”, 2021)
- **Hi Art Center/Line Gallery** (Beijing, solo exhibitions “独角戏” in 2019, “噱头” in 2018, and earlier “荷尔蒙” in 2015)
He has also participated in early-career group shows such as the “青涩创想” student exhibition, the New Star Art Festival, and Art Nova 100.
Regarding **institutional collections**, the available public data does not list any specific museums, foundations, or public collections that hold his work. While he has exhibited at major institutions such as the Zhejiang Art Museum, no acquisition information is confirmed in the provided records.
