杨大慰(YANG DAWEI)是一位中国当代艺术家。其参展记录包括2013年9月1日至9月28日期间的群展,以及2025年参加由虹美术馆举办的大型群展“见微,知著。”。该展览聚焦于1980年后出生的具象绘画创作者,强调细致入微的绘画语言与方寸之间的表现力。
YANG DAWEI is a Chinese contemporary artist. Their exhibition record includes a group exhibition held from September 1 to September 28, 2013, and participation in 2025 in a large-scale group exhibition “Seeing the Minute, Knowing the Significant” organized by Hong Art Museum. The exhibition focuses on figurative painting creators born after 1980, emphasizing meticulous painterly language and expressiveness within a confined space.


根据平台档案资料,艺术家 **杨大慰** 的代表作与创作特点如下:
### 代表作
档案收录的代表作品包括:
* **《钓鱼》**(2025年,布面油画)
* **《跨过河流》**(2025年,布面油画)
### 创作特点
杨大慰是一位中国当代艺术家,其创作脉络可从以下几方面概括:
* **流派风格**:属于**具象艺术**,并融合了**玩世现实主义**与**表现性具象**的风格倾向。
* **创作媒介**:主要运用**布面油画**、**丙烯**及**综合材料**。
* **创作题材**:作品侧重于**社会评论**、**文化身份**、**消费主义**、**权力**与**政治**等主题。
* **艺术表现**:其参展记录显示,艺术实践强调**细致入微的绘画语言**与**方寸之间的表现力**,在具象的框架下进行深入的观念表达。
他的重要展览经历包括参加2025年由虹美术馆举办、聚焦1980年后出生具象绘画创作者的大型群展 **“见微,知著。”** ,该展览也佐证了其创作在当代具象绘画语境中的定位。
Based on the artist's archived profile:
**YANG DAWEI** is a Chinese contemporary artist. His representative works include the oil-on-canvas paintings *Fishing* (2025) and *Crossing the River* (2025).
His creative style is rooted in **figurative art**, blending **Cynical Realism** and **expressive figuration**. He works primarily with oil on canvas, acrylic, and mixed media, using meticulous and finely detailed painterly language. His thematic focus often encompasses social commentary, cultural identity, consumerism, power, and politics, delivering expressive impact within compact compositions.
根据现有资料,杨大慰曾在以下机构展出:
* **虹美术馆** (2025年,苏州) —— 参加群展“见微,知著。”
* 此外,其参展记录还包括2013年9月的一个群展(具体机构名称在档案中未详列)。
关于作品被哪些机构收藏,目前的公开资料中暂无相关信息。
According to the structured artist profile data, YANG DAWEI has participated in the following exhibitions:
- **2025** – Group exhibition *"见微,知著。"* at **Iris Art Museum (虹美术馆)**, located at Building 17, Phase 4, Ligongdi, Suzhou.
- **September 2013** – A group exhibition (specific venue not recorded in the profile).
The available record does not include any information on institutions that collect YANG DAWEI’s work.