姚浩,1987年生于河北,2012年本科毕业于天津美术学院国画系,2015年研究生毕业于天津美术学院中国画学院,现居北京。其创作以水墨为主要媒介,作品常涉及对人物与日常场景的描绘,呈现出对时间、记忆与情感状态的关注。重要个展包括2023年上海玉兰堂“流淌-姚浩个展”、2021年北京玉兰堂“光景-姚浩个展”及2018年上海hiart space“褪色-姚浩个展”。群展经历丰富,曾参与2022年香港中文大学(深圳)艺术中心“水墨更开新象”、深圳hiart space“墨花轻飞-8090一代水墨画家联展”;2021年北京松美术馆“橄榄之味”及深圳hiart space“单向度凝视-年轻一代水墨画家”;2020年北京玉兰堂“丛林-玉兰堂2020夏季联展”与“水墨惊蛰-1985后出生的年轻一代水墨画家”;2019年北京山水美术馆“悲鸿young-艺术家推广项目启动展”及杭州中国美院美术馆“从这里出发-一场地下实验画展”;2016年北京“谁在谁的时代-魏青吉,姚浩,蔡海标三人展”及“关注的力量-青年水墨作品展”等。曾获2019年第四届艺术市场价值榜年度青年艺术家、2015年第二届“新绎之星”青年艺术家计划“同行奖”,同年毕业作品《少年系列》《静止的高傲》获天津美术学院学院奖;2014年获雅昌&保利新势力提名展三等奖及天津美术学院研究生创作中期检查展览一等奖。
Yao Hao, born in 1987 in Hebei, graduated with a bachelor’s degree from the Department of Chinese Painting, Tianjin Academy of Fine Arts in 2012, and received his master’s degree from the School of Chinese Painting, Tianjin Academy of Fine Arts in 2015. He currently lives in Beijing. Working primarily with ink as his medium, his paintings often depict figures and everyday scenes, showing a concern with time, memory, and emotional states. His major solo exhibitions include *Flowing: Yao Hao Solo Exhibition* at Line Gallery, Shanghai in 2023, *Scene: Yao Hao Solo Exhibition* at Line Gallery, Beijing in 2021, and *Fading: Yao Hao Solo Exhibition* at hiart space, Shanghai in 2018. He has participated in numerous group exhibitions, such as *Ink Unfolds New Visions* at The Chinese University of Hong Kong, Shenzhen, Art Centre, and *Ink Flowers Lightly Flying – Group Exhibition of Post-80s and 90s Ink Painters* at hiart space, Shenzhen in 2022; *The Taste of Olive* at Song Art Museum, Beijing and *One-Dimensional Gaze – Young Generation Ink Painters* at hiart space, Shenzhen in 2021; *Jungle – Line Gallery 2020 Summer Group Exhibition* and *Ink Awakening – Young Generation Ink Painters Born After 1985* at Line Gallery, Beijing in 2020; *Beihong Young – Artists Promotion Project Launch Exhibition* at Shanshui Art Museum, Beijing and *Starting from Here – An Underground Experimental Exhibition* at the Art Museum of China Academy of Art, Hangzhou in 2019; and *Whose Era Is It – Three Artists: Wei Qingji, Yao Hao, Cai Haibiao* and *The Power of Attention – Young Ink Artists Exhibition* in Beijing in 2016. He was named Young Artist of the Year at the 4th Art Market Value Awards in 2019 and received the Peer Award of the second Xinyi Star Young Artists Project in 2015; in the same year, his graduation works *Juvenile Series* and *Static Arrogance* won the Academy Award of Tianjin Academy of Fine Arts. In 2014, he was awarded the Third Prize of the Artron & Poly New Power Nomination Exhibition and the First Prize of the Mid-term Review Exhibition of Graduate Creation at Tianjin Academy of Fine Arts.












### ① 事实类信息(依据“结构化艺术家档案数据”)
**姚浩**(Yao Hao),1987 年生于河北,本科及研究生均毕业于天津美术学院中国画学院,现居北京。其创作类型在平台档案中被归为**当代水墨、具象艺术、新工笔**,常用媒介为**纸本水墨、水墨、绢本**,核心题材涉及**人物、身份认同、文化身份、情感、记忆与时间**。
**代表作(据平台档案收录作品列表)**
其近年代表性作品主要有:
- **“劳动者”系列**:如《劳动者1》《劳作2》《劳作3》等,纸本水墨,2025 年作;
- **“搬石头的人”系列**:如《搬石头的人》《搬石头的人2》《搬石头的人3》《搬石头的人5》《搬石头的人2》等,纸本水墨,2025 年作;
- **“蜀葵”系列**:如《蜀葵2025-2》《蜀葵2025-4》,纸本水墨,2025 年作;
- 其他如《裂隙1》等纸本水墨作品。
**创作特点(档案归纳)**
- 以**水墨**为主要媒介,语言上兼有具象与新工笔倾向;
- 题材偏重**人物**,持续关注**时间、记忆、情感状态、身份认同**等主题;
- 画面追求**静谧、含蓄、柔中见刚**的力量感,整体倾向**化繁为简**,弱化图像叙事,更注重绘画本体语言的探索。
### ② 叙事类背景(依据文章上下文补充)
从展览脉络看,姚浩在玉兰堂先后举办了三次个展:
- 2018 年「褪色」
- 2021 年「光景」
- 2023 年「流淌」
三次展览名称体现出他对**时间性**的不同关注角度。“褪色—光景—流淌”形成一条线索,其中 2023 年「流淌」个展以**人物题材、肖像画**为主要方向,延续并深化了「光景」中的肖像画线索。
文章中提到,姚浩近两年的创作**画面信息更单纯化**,进一步**弱化图像语言**,更多探讨**绘画语言本身**。其作品中隐含的**静谧、含蓄、永恒、柔中见刚**,以及“在简单中看到丰富”的特质,是艺术家一直追求的美学倾向。展览现场出现的作品如《肖像13》《夜色》《白猫和三个女人》《双肖像-橙红》《夏日》《绿植与绿丝绒》《采撷图2》《采撷图3》等,也印证了他近年来以肖像和人物场景为主的创作面貌。
According to the artist archive, **Yao Hao** (b. 1987, Hebei) is a contemporary ink artist. His representative works include the **“Laborer” (劳动者)** series, **“The Man Carrying Stones” (搬石头的人)** series, **“Fissure” (裂隙)**, and **“Hollyhock 2025” (蜀葵2025)** series, mainly executed in ink on paper.
His creative style is rooted in **contemporary ink painting (当代水墨)**, with a figurative and **new gongbi** orientation. He primarily works with **ink on paper**, and occasionally on silk. His practice focuses on **human figures and everyday scenes**, exploring themes such as **identity, cultural identity, emotion, and memory and time**. His works often convey a quiet attention to temporal, emotional, and psychological states.
根据平台结构化艺术家档案数据,姚浩的展出机构记录如下:
**个展/项目展出机构**
- 玉兰堂(上海):2023年“流淌—姚浩个展”;2026年“无边光景”
- 玉兰堂(北京):2021年“光景—姚浩个展”
- hiart space(上海):2018年“褪色—姚浩个展”
- HI艺术中心(北京):2025年“劳动者的诗展”个展场地
**群展/博览会展出机构**
- 香港中文大学(深圳)艺术中心:2022年“水墨更开新象”
- 深圳 hiart space:2022年“墨花轻飞—8090一代水墨画家联展”;2021年“单向度凝视—年轻一代水墨画家”
- 北京松美术馆:2021年“橄榄之味”
- 北京玉兰堂:2020年“丛林—玉兰堂2020夏季联展”、“水墨惊蛰—1985后出生的年轻一代水墨画家”
- 北京山水美术馆:2019年“悲鸿young—艺术家推广项目启动展”
- 杭州中国美院美术馆:2019年“从这里出发—一场地下实验画展”
- 上海展览中心:2026年 ART021 玉兰堂展位
- 北京:2016年“谁在谁的时代—魏青吉,姚浩,蔡海标三人展”、“关注的力量—青年水墨作品展”等
**被收藏情况**
平台结构化艺术家档案数据中暂无姚浩被公共或私人机构收藏的明确记录,因此该部分暂无公开资料可提供。
Based on the platform’s structured artist archive, **Yao Hao** (b. 1987) has exhibited primarily in **Beijing, Shanghai, Shenzhen, and Hangzhou**.
**Selected solo exhibitions include:**
- 2018 “褪色 / Fading” – hiart space, Shanghai
- 2021 “光景 / Light and Scenery” – Yulantang, Beijing
- 2023 “流淌 / Flowing” – Yulantang, Shanghai
- 2025 “个展 - 劳动者的诗展 / The Labourer’s Poetry” – HI Art Center, Beijing
- 2026 “无边光景 / Boundless Scenery” – Yulantang, Shanghai
- 2026 ART021 – Yulantang presentation at Shanghai Exhibition Center
**Selected group exhibitions include:**
- 2016 “谁在谁的时代 / Who Is in Whose Era” – Beijing
- 2019 “从这里出发 / Departing from Here” – CAA Art Museum, Hangzhou
- 2020 “丛林 / Jungle” – Yulantang, Beijing
- 2021 “橄榄之味 / The Taste of Olive” – Song Art Museum, Beijing
- 2022 “水墨更开新象 / New Directions in Ink” – The Chinese University of Hong Kong, Shenzhen
- 2020–2021 “单向度凝视 / One-Dimensional Gaze” and other young-generation ink painting group exhibitions – hiart space, Shenzhen
As for **institutional collections**: the current structured archive for Yao Hao does not specify which institutions, museums, or private collections hold his work. That information is not available in the platform’s artist profile, so I cannot confirm any collecting institutions from the provided data.