俞文杰,1960年生于河北赞皇,现居北京。师承贾又福先生,毕业于河北大学工艺美术学院、中央美术学院贾又福山水创作高级研究班。现为河北美术学院造型艺术学院教授、北京书画艺术院副院长、北京大学贾又福艺术工作室助理、北京大学贾又福艺术研究会常务理事、中央电视台《中国网络台·艺术台》艺术指导。主要从事水墨画研究和教学,部分作品被知名美术馆、博物馆及国内外私人收藏。
Yu Wenjie is an artist who experiences the world with in-
securities. He regards absolute honesty and courage in art
as his priority. His artworks originate from the expression
of inner experiences generated by the body and spirit in the
process of experiencing and exploring the world.
These inner experiences give rise to illusions, memories, as-
sociations, fantasies and feelings, while these elements are
constantly broken and reorganized into visual fragments.
These fragments lose the limitations of time and space
but maintain a similar spatiotemporal distance from his
present experience. The cracks that appeared naturally be-
tween these visual fragments are displayed in his artworks
by either strengthening the direct presentation or weakening
the transition zone. Therefore, grand and micro narratives
always coexist in his works. His artworks are both delicate
and sensitive, manifested in the destruction and reshaping
of materials during the making process, showing a kind of
"fragile yet firm" innocence and romance.
His media includes painting, sculpture, installation, moving
images, performance, and sound. He combined history and
the future in a leap way, showing that the present is both
past and future. His inspiration system is huge and complex,
so it is difficult to detect a specific clue of inspiration in his
practice. He is a hybrid and diverse artist who is at translat-
ing objects from his spiritual world directly to the real world
through his artworks. He maintains principles while con-
stantly changing rapidly. Believing that "not being changed
by the world is actually changing the world."
Wenjie Yu (b.1997, Shanghai) lives and works in London and Shanghai. He holds MA degree at Royal College of Art and a BFA degree at China Academy of Art. He is an artist who experiences the world with insecurities. He regards absolute honesty and courage in art as his priority. His artworks originate from the expression of inner experiences generated by the body and spirit in the process of experiencing and exploring the world. These inner experiences give rise to illusions, memories, associations, fantasies and feelings, while these elements are constantly broken and reorganized into visual fragments. Therefore, grand and micro narratives that are both delicate and sensitive always coexist in his works.
























根据艺术家档案数据,俞文杰(1997年生于河北赞皇)的代表作与创作特点如下:
**代表作**
其近年代表性作品包括:
- 《转山》(2025)
- 《破晓时梦见了一个预言》系列(2025,含 #2-1、#2-2、#3-1、#3-2 等)
- 《房间》系列(2025,含 #13、#14、#15)
- 《夜壤》系列(2025,含 #1、#2)
- 《无所住 #1》(2025)
- 《静默荒原下的狂欢 #1》(2025)
**创作特点**
- **媒介与材料**:跨媒介实践,涵盖影像、油画、综合材料、装置、雕塑等;上述代表作大量采用棉布、亚麻布、弹力织物、纯棉缝纫线、沙子、色粉、树脂及木器漆等综合材料,具有强烈的物质性与手工感。
- **艺术类型**:具象艺术、实验性、观念艺术的融合。
- **核心题材**:聚焦记忆与时间、身份认同、身体、情感、社会评论、城市景观、自然生态、全球化、人物等议题,作品常带有内省与诗性叙事。
Yu Wen Jie (born 1997) is a contemporary Chinese artist whose practice spans figurative art, experimental, and conceptual approaches. His representative works include recent series such as *Turning Mountain* (2025), *Prophecies Dreamt at Dawn* (multiple versions, 2025), *Room #13–#15* (2025), *Unperturbed #1* (2025), *Night Soil #1–#2* (2025), and *Revelry Under the Silent Wasteland #1* (2025).
His creative style is distinguished by the use of mixed media, often combining textiles (cotton, linen, velvet, elastic fabrics, and Xuan paper) with cotton sewing thread, sand, pigments, resin, and wood lacquer. Thematically, his work addresses globalization, urban landscapes, memory and time, identity, the body, and emotional states, frequently conveying social commentary through layered, tactile surfaces.
Yu Wen Jie’s works have been exhibited, including in the solo show *Wandering Land* at Nan Ke Gallery in 2025.
根据平台“结构化艺术家档案数据”,
**展览经历**
俞文杰(b.1997)曾在 **南柯画廊** 展出,于2025年举办个展《徜徉地》。
**收藏信息**
关于具体被哪些机构收藏,平台档案仅载明其“部分作品被知名美术馆、博物馆及国内外私人收藏”,未列出具体收藏机构的名称。
Based on the provided artist profile data, Yu Wen Jie has exhibited in the exhibition "徜徉地" (Wandering Land) held at Nan Ke Gallery in 2025.
Regarding institutional collections, his biography states that some of his works are collected by well-known art museums, museums, and private collectors both domestically and internationally, but no specific institution names are listed.