詹翀(Zhan Chong),1983年出生于浙江,2002年毕业于中国美术学院附中,2006年毕业于清华大学美术学院。其毕业创作装置被清华美院绘画系收藏。2007年,他在北京798的吾空间参与《吾缘吾故》和《5》展览。2011年,作品参展于北京宋庄龙德轩美术馆的《春寒》、上上美术馆的《历史·新宋庄》以及宋庄美术馆的《八零后艺术档案(1)》。2012年,他在三潴画廊参加《景不徙》展览。2014年,他获得约翰·莫尔绘画奖。
Born in Lishui, Zhejiang 2006 Graduated from: Academy of Arts & Design, Tsinghua University Now lives and works in Beijing


















根据平台公开档案资料,詹翀(Zhan Chong)1983年出生于浙江,2002年毕业于中国美术学院附中,2006年毕业于清华大学美术学院,毕业创作装置曾被清华美院绘画系收藏。2014年曾获约翰·莫尔绘画奖。
**代表作(据平台档案收录)**
其代表性作品多集中于2023—2026年,以木板丙烯为主要媒介,如:
- 《黄昏模型(螺旋)》/《螺旋(黄昏)》,2023,木板丙烯
- 《雨痕》,2023,木板丙烯
- 《漂浮》,2024,木板丙烯
- 《再见-3》《再见-4》《再见-5》,2025—2026,木板丙烯/木板蒙布丙烯
- 《预感》《黄昏记号》,2026,木板丙烯
- 《第一场雨》,2024,木板丙烯
**创作特点**
从档案归纳的题材与媒介看,詹翀的创作常用丙烯、木板、油画及综合材料,关注城市景观、情感、死亡、消费主义、社会评论、自然生态、记忆与时间、身份认同、身体等主题。其作品名称多与“黄昏”“雨痕”“漂浮”“再见”“螺旋”等意象有关,呈现出对时间流逝、身体感知、记忆痕迹以及日常细微经验的持续关注。
近年个展包括2024年拾萬空间的“詹翀:穿过”、2026年拾萬空间的“记号”,也显示出其创作围绕空间、痕迹、记号等线索展开。
关于市场成交数据,平台暂无可对应到詹翀的拍卖纪录,因此不涉及价格判断。
Based on the platform’s artist archive, **Zhan Chong** (b. 1983, Zhejiang) is recorded as working across **figurative art, experimental approaches, imagery, and conceptual art**.
**Representative works in the archive include:**
- *Twilight Model (Spiral)* / 《黄昏模型(螺旋)》, 2023, acrylic on wood panel
- *Twilight Mark* / 《黄昏记号》, 2026, acrylic on wood panel
- *Rain Marks* / 《雨痕》, 2023, acrylic on wood panel
- *The First Rain* / 《第一场雨》, 2024, acrylic on wood panel
- *Premonition* / 《预感》, 2026, acrylic on wood panel
- *Goodbye* series / 《再见》系列, 2025–2026, acrylic on wood panel and acrylic on canvas-covered wood panel
**Creative style and concerns:**
His primary media include **acrylic, wood panel, oil, and mixed media**. The archive lists recurring themes such as **urban landscape, emotion, death, consumerism, social commentary, natural ecology, memory and time, identity, and the body**. His recent works often use restrained, image-based compositions—frequently acrylic on panel—to explore atmospheric or psychological states, as suggested by titles involving twilight, rain, and premonition.
Biographically, he studied at the Attached School of the China Academy of Art and later at Tsinghua University’s Academy of Arts & Design, and he received the John Moores Painting Prize in 2014. Recent solo exhibitions include *Zhan Chong: Through* (2024) and *Marks* (2026) at Hunsand Space, Beijing. The provided article text does not discuss Zhan Chong, so no additional contextual or curatorial background can be drawn from it.
根据平台艺术家档案资料,詹翀的展出与收藏机构信息如下:
**展出机构**
- 吾空间(北京798):2007年参与《吾缘吾故》《5》展览
- 北京宋庄龙德轩美术馆:2011年参与《春寒》展览
- 上上美术馆:2011年参与《历史·新宋庄》展览
- 宋庄美术馆:2011年参与《八零后艺术档案(1)》展览
- 三潴画廊:2012年参与《景不徙》展览
- 拾萬空间:2024年个展《詹翀:穿过》;2026年展览《记号》
**收藏机构**
- 清华大学美术学院绘画系:詹翀的毕业创作装置被该系收藏
平台档案中明确记载的收藏机构目前仅此一项;其他公共或私人收藏在现有档案中暂无进一步记录。
According to the available artist profile:
**Exhibitions (selected from the archive):**
- 2026 – *Signs* (记号), Hunsand Space, 798 Art District, Beijing
- 2024 – *Zhan Chong: Passing Through* (詹翀:穿过), Hunsand Space, 798 Art District, Beijing
- 2012 – *Jing Bu Xi* (景不徙), Sanzhu Gallery, Beijing
- 2011 – *Spring Chill* (春寒), Longdexuan Art Museum, Songzhuang, Beijing
- 2011 – *History · New Songzhuang*, Shangshang Art Museum, Beijing
- 2011 – *Post-80s Art Archive (1)*, Songzhuang Art Museum, Beijing
- 2007 – *Wu Yuan Wu Gu* and *5*, Wu Space, 798 Art District, Beijing
**Institutional collections:**
The profile states that Zhan Chong’s graduation installation was collected by the Painting Department of Tsinghua University Academy of Arts & Design. No other institutional collections are explicitly listed in the available archive.