章犇
简介Biography
章犇（1984年生于安徽黄山），中国当代艺术家。2004年至2006年就读于中央美术学院油画系一画室本科，2006年至2009年于同画室攻读硕士研究生，师从朝戈；2009年至2012年任教于湖北美术学院油画系；2012年至2015年于中央美术学院攻读博士研究生，师从靳尚谊、朱乃正。其个展包括2015年“异乡——章犇个展”（北京民生现代美术馆）、2013年“在别处”（广州华艺廊）及2012年“渐行渐远——章犇油画作品展”（广州华艺廊）。作品被北京民生现代美术馆、中央美院美术馆收藏。现工作生活于北京。
Zhang Ben (b. 1984, Huangshan, Anhui Province) is a Chinese contemporary artist. From 2004 to 2006, he studied as an undergraduate in the First Studio of the Oil Painting Department at the Central Academy of Fine Arts; from 2006 to 2009, he pursued a master’s degree in the same studio under the tutelage of Chao Ge; from 2009 to 2012, he taught in the Oil Painting Department at the Hubei Institute of Fine Arts; from 2012 to 2015, he undertook doctoral studies at the Central Academy of Fine Arts under the tutelage of Jin Shangyi and Zhu Naizheng. His solo exhibitions include “A Foreign Land – Zhang Ben Solo Exhibition” at the Beijing Minsheng Art Museum (2015), “Elsewhere” at Guangzhou Huayi Gallery (2013), and “Gradually Drifting Away – Zhang Ben Oil Painting Exhibition” at Guangzhou Huayi Gallery (2012). His works are held in the collections of the Beijing Minsheng Art Museum and the CAFA Art Museum. He currently lives and works in Beijing.
代表作Selected Works
创作系列Series
《巴别塔》系列平台收录 6 件6 works on ArtMatters
《手示》系列平台收录 9 件9 works on ArtMatters
《无声的寓言》系列平台收录 5 件5 works on ArtMatters
《星空》系列平台收录 5 件5 works on ArtMatters
展览履历Exhibitions
- 2026无边光景玉兰堂（上海） · 玉兰堂
- 2024直到夜的尽头-章犇个展北京市朝阳区酒仙桥路10号恒通商务园B36-B座Hi艺术中心 · 玉兰堂
- 2023尝试赞美这残缺的世界-章犇个展深圳市南山区蛇口望海路1187号 海上世界文化艺术中心 L106·hiart space · 玉兰堂
- 2022之境有无-章犇 个展西安美术馆
- 2021边度-章犇 个展ArtMeng space
- 2019看不见的城市-章犇 群展艾米李画廊
- 2016倚水借山-章犇 群展新北京前站画廊
- 2015异乡-章犇 群展北京民生现代美术馆
- 2013在别处-章犇 群展华艺廊
- 2012渐行渐远-章犇 群展华艺廊
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台现有的“结构化艺术家档案数据”，目前没有与“章犇”匹配的艺术家档案资料，因此无法提供关于其代表作和创作特点的准确信息。
Zhang Ben (章犇, b. 1984) is known for a deeply imaginative and poetic approach to painting, often blending romanticism with figurative art. His works typically unfold scenes of solitude, mystery, and introspection, where human figures exist within expansive, sometimes surreal landscapes. Common themes in his oeuvre include memory, identity, nature, time, and existential reflection.
Representative works include *Ark-6* (2021), *From This Moment to Eternity* (2023), *Rhapsody on a Windy Night* (2023), *No Man's Land-7* (2022), *Friedrich's Twilight* (2024), *Starry Sky-6* (2023), *Silent Fable-6* (2021), *Everything Is Still as a Riddle* (2024), *No Man's Land-6* (2022), *Quiet Night's Heartbeat* (2023), *Echo-1* (2019), and *Wanderer's Night Song* (2023). These paintings consistently employ oil on canvas.
His creative style can be characterized as a fusion of realism and symbolic imagination. Zhang Ben constructs dream-like spaces where light, shadow, and atmosphere function as emotional carriers. Figures, often placed at the center of depopulated or mysterious natural settings, convey a sense of isolation, quiet doubt, or gentle confrontation with destiny. There is a pronounced literary and meditative quality in his work, inviting the viewer to enter not so much a specific location as a state of mind. While grounded in traditional oil painting technique, his visual language leans toward the evocative and the introspective, making his canvases feel both timeless and intensely personal.
展览与收藏Exhibitions & Collections
根据平台现有的艺术家档案数据，暂无关于艺术家章犇的展览与收藏机构信息。
Zhang Ben has held solo exhibitions at venues including **Beijing Minsheng Art Museum** (2015, “Exile”), **Guangzhou Huayi Gallery** (2012, “Drifting Away”; 2013, “Elsewhere”), and spaces under the **Line Gallery** (玉兰堂) banner – specifically at **hiart space** inside the Sea World Culture and Arts Center in **Shenzhen** (2023, “Try to Praise the Mutinous World”) and at the **Hi Art Center** in **Beijing** (2024, “Until the End of the Night”).
His works are collected by **Beijing Minsheng Art Museum** and the **Art Museum of the China Central Academy of Fine Arts**.
