张弓
简介Biography
张弓（ZHANG GONG），1959年生于北京，1993年毕业于中央工艺美术学院图形想象专业，获硕士学位，现任清华大学美术学院信息艺术设计系副教授，工作居住在北京。他的作品在世界各地展出，近期个展包括：冬有时，空白空间，北京（2024）；到来，空白空间，北京（2022）；启示录，金杜艺术中心，北京（2020）；无名无界——张弓绘画展，季丰轩画廊，香港（2019）。早期个展有：天空之城——王子、张弓双人展，东站画廊，北京（2012）；所到之处，艺莱纽约画廊，纽约（2012）；北京 纽约，艺莱纽约画廊，纽约（2011）；潘大姐在纽约，艺莱纽约画廊，纽约（2010）；潘大姐的诞生，阿特塞帝画廊，798，北京（2008）；张弓东京展，日本（2000）；开放的男孩儿，Shoeni画廊，香港（1996）；北京意向，Shoeni画廊，香港（1994）。参加群展包括：形式和效果：浮世绘到动漫，克雷斯吉基金会画廊，拉玛珀学院，玛华，美国新泽西（2017）；移花接木——中国当代艺术中的后现代方式展览，华·美术馆，深圳（2008）；虚拟的爱，新加坡美术馆，新加坡；外滩18号创意中心，上海；上海当代艺术馆，上海（2006）；Scenes from Within - Contemporary Art from China，Blackbridge Hall Art Gallery，乔治亚，美国（2011）；岳敏君、张弓新作展，四合苑画廊，北京（2001）；马拉什画廊中国艺术家展，荷兰（1998）；欧洲8 8-1欧洲巡回展（1997）；巴塞尔艺术博览会，瑞士（1996）；德国波恩《中国！》前卫艺术展（1996）；《世说新语》三人展，北京（1995）；《中国油画从现实主义――后现代主义》大展，比利时（1995）；香港《中国、苏联、瑞士三国油画家联展》（1993）。他的动画作品出现在众多国际电影节上，如魁北克电影资料馆，蒙特利尔，加拿大；布鲁塞尔动画电影节，比利时；伦敦国际动画电影节和无边界电影节，罗马。张弓的动画短片《树》（2003）先后获得中国北京电影学院动画学院第3届动画“学院奖”、法国里昂第10届亚洲电影及文化电影节优秀电影短片奖（2004）及第3届中国视协动画短片奖“优秀二维动画艺术短片奖”（2004）。
ZHANG GONG, born in Beijing in 1959, graduated from the Graphic Imagination program at the Central Academy of Arts and Crafts in 1993 with a master's degree. He is currently an associate professor in the Department of Information Art and Design at the Academy of Arts & Design, Tsinghua University, and works and lives in Beijing. His works have been exhibited worldwide. Recent solo exhibitions include: Winter Sometimes, White Space, Beijing (2024); Arrival, White Space, Beijing (2022); Apocalypse, KWM Art Center, Beijing (2020); Boundless Unnamed – Zhang Gong Painting Exhibition, Kwai Fung Hin Art Gallery, Hong Kong (2019). Earlier solo exhibitions include: Castle in the Sky – Wang Zi and Zhang Gong Duo Exhibition, East Station Gallery, Beijing (2012); Wherever I Go, Eli Klein Gallery, New York (2012); Beijing New York, Eli Klein Gallery, New York (2011); Sister Pan in New York, Eli Klein Gallery, New York (2010); The Birth of Sister Pan, Arario Gallery, 798, Beijing (2008); Zhang Gong Tokyo Exhibition, Japan (2000); Open Boy, Schoeni Gallery, Hong Kong (1996); Beijing Image, Schoeni Gallery, Hong Kong (1994). Group exhibitions include: Form and Effect: From Ukiyo-e to Anime, Kresge Foundation Gallery, Ramapo College, Mahwah, New Jersey, USA (2017); Transplanting Flowers and Grafting Branches – Postmodern Approaches in Chinese Contemporary Art, OCT Art & Design Gallery, Shenzhen (2008); Virtual Love, Singapore Art Museum, Singapore; Bund 18 Creative Center, Shanghai; Museum of Contemporary Art, Shanghai (2006); Scenes from Within - Contemporary Art from China, Blackbridge Hall Art Gallery, Georgia, USA (2011); New Works by Yue Minjun and Zhang Gong, Courtyard Gallery, Beijing (2001); Chinese Artists Exhibition at Marashi Gallery, Netherlands (1998); Europe 8 8-1 European Touring Exhibition (1997); Art Basel, Switzerland (1996); China! Avant-garde Exhibition, Bonn, Germany (1996); Three-person Exhibition Shishuo Xinyu, Beijing (1995); Chinese Oil Painting from Realism to Post-Modernism, Belgium (1995); Joint Exhibition of Oil Painters from China, the Soviet Union, and Switzerland, Hong Kong (1993). His animated works have appeared at numerous international film festivals, including Cinémathèque québécoise, Montreal, Canada; Brussels Animation Film Festival, Belgium; London International Animation Festival, and Unbound Film Festival, Rome. Zhang Gong's animated short Tree (2003) successively won the 3rd Animation Academy Award from the Animation School of Beijing Film Academy, the Outstanding Short Film Award at the 10th Asian Film and Culture Festival in Lyon, France (2004), and the "Excellent 2D Animated Art Short Film Award" at the 3rd China Television Artists Association Animation Short Film Award (2004).
代表作Selected Works
创作系列Series
《我的灵》系列平台收录 5 件5 works on ArtMatters
展览履历Exhibitions
- 2024冬有时空白空间
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台现有的艺术家档案数据库，目前并未收录艺术家**张弓**的详细资料（包括简历、代表作及创作特点等），因此无法直接提供相关信息。
如需了解其创作脉络，建议您通过其他权威艺术文献或数据库进行查询。
Zhang Gong’s practice spans painting and animation, often employing oil on canvas, acrylic, watercolor, and works on paper. His visual language is rooted in a decorative, imagistic sensibility (“意象” / “装饰性”) that reworks motifs from urban landscapes and consumer culture into allegorical scenes. Recurring subjects—hybrid creatures, floating or mutating figures, fantastical cityscapes—reflect a sustained social commentary.
Representative works include early animated shorts such as *The Tree* (2003), as well as recent paintings like *Prickly Head 2* (2024, acrylic on canvas), *Void 1* (2022, oil and pencil on canvas), *Love 1* (2023, oil, pencil, and oil stick on canvas), *Advent 10* (2023, oil, pencil, and oil stick on canvas), *Big Fish 5* (2022, oil on canvas), and *Guard 1* (2023, oil, pencil, and oil stick on canvas). These pieces exemplify his tendency to fuse a vivid, almost decorative palette with surreal, often unsettling imagery that questions contemporary life and value systems.
展览与收藏Exhibitions & Collections
很抱歉，平台当前的**结构化艺术家档案数据库**中未能匹配到名为“张弓”的艺术家资料，因此无法提供其展出机构及收藏机构的确切信息（事实类问题必须以档案数据为准，不可将其他同名或近似信息挪作该艺术家信息）。
如需了解其作品的市场成交情况，可基于拍卖记录作答，但那属于市场类信息，不直接回答展览与收藏。
**ZHANG GONG** (b. 1959, Beijing) has exhibited widely in solo and group presentations across Asia, Europe, and North America. According to the artist’s archival profile, his solo exhibitions have been held at venues including:
- **White Space Beijing** (_冬有时 / Time After Time_, 2024)
- **KWM Art Center**, Beijing (_Apocalypse_, 2020)
- **Kwai Fung Hin Art Gallery**, Hong Kong (_Unbounded_, 2019)
- **Eastation Gallery**, Beijing (2012, a two-person show with Wang Zi)
- **Eli Klein Gallery**, New York (multiple shows: _Where I Go_ in 2012; _Beijing New York_ in 2011; _Sister Pan in New York_ in 2010)
- **Arario Gallery**, Beijing 798 (2008)
- **Schoeni Art Gallery**, Hong Kong (1994 and 1996)
His group exhibitions include:
- Kresge Foundation Gallery, Ramapo College, Mahwah, New Jersey (2017)
- OCT Art & Design Gallery, Shenzhen (2008)
- Singapore Art Museum (2006)
- Museum of Contemporary Art, Shanghai (2006)
- Blackbridge Hall Art Gallery, Georgia, USA (2011)
- Courtyard Gallery, Beijing (2001)
- Various European touring exhibitions (e.g., Galerie Marrasch, 1998; the _China!_ exhibition in Bonn, 1996)
In addition, his animated films have been screened at international film institutions such as the Cinémathèque québécoise in Montreal, the Brussels Animation Film Festival, and the London International Animation Festival.
**Regarding institutional collections:** The available archival data does not list any specific public or private collections that hold Zhang Gong’s work. Therefore, I am unable to confirm which museums or institutions have acquired his pieces.
