张佳颖,1991年生于四川成都,2014年毕业于四川大学艺术学院油画系,获学士学位;2018年毕业于四川大学艺术学院美术学(油画)专业,获硕士学位。对她而言,绘画已成为自身的一种生活与思维方式,作品是对生命中无数瞬间的记忆,常由个人经历与情绪主导创作。她认为作品是思维和情感的过程,缺乏符号化的指代,思维与情绪凝结于画面,因而作品常呈现出混沌与思维弥漫的感觉。重要展览包括:2016年“六个90后·展览”(成都)、2015年“首届海纳百川·学院内外艺术文献展”(成都)、2014年“中国新锐绘画奖‘折桂枝’展”(北京)、2014年“西村‘今日·明天’第五届西南高校优秀毕业生联展”(成都)、2014年“四川大学2010届本科毕业生展”(成都)、2013年“四川大学‘hi新通感’展览”(成都)。
Zhang Jiaying, born in 1991 in Chengdu, Sichuan, graduated from the Oil Painting Department of the Art College of Sichuan University with a bachelor’s degree in 2014, and from the Fine Arts (Oil Painting) program at the same institution with a master’s degree in 2018. For her, painting has become a way of life and thinking; her works are memories of countless moments in life, often driven by personal experiences and emotions. She believes that her works are processes of thought and emotion, devoid of symbolic references; thoughts and emotions condense on the canvas, thus her works often present a sense of chaos and diffused thinking. Important exhibitions include: 2016 ‘Six Post-90s · Exhibition’ (Chengdu), 2015 ‘First Haina Baichuan · Inside and Outside the Academy Art Documentary Exhibition’ (Chengdu), 2014 ‘China New Painting Award “Plucking the Laurel” Exhibition’ (Beijing), 2014 ‘West Village “Today · Tomorrow” 5th Southwest University Outstanding Graduates Joint Exhibition’ (Chengdu), 2014 ‘Sichuan University 2010 Undergraduate Graduates Exhibition’ (Chengdu), 2013 ‘Sichuan University “Hi New Synaesthesia” Exhibition’ (Chengdu).







根据艺术家档案资料,张佳颖的代表作与创作特点如下:
**创作特点**
对她而言,绘画已成为自身的一种生活与思维方式,作品是对生命中无数瞬间的记忆,常由个人经历与情绪主导创作。她认为作品是思维和情感的过程,缺乏符号化的指代,思维与情绪凝结于画面,因而作品常呈现出混沌与思维弥漫的感觉。其创作常围绕记忆与时间、身份认同、文化身份、身体等主题展开,媒介涉及综合材料、装置、影像和数字艺术等。
**代表作**
- 《都是深渊》(2015,布面油画)
- 《迷雾No.1》(2022,布面油画)
- 《迷雾No.3》(2023,布面油画)
- 《过去重叠又重叠No.3》(2020,布面油画)
- 《细细的雨和长长的伤又No.2》(2022,布面油画)
- 《细细的雨和长长的伤又No.1》(2022,布面油画)
- 《把太阳的回忆留存 No.4》(2023,布面油画)
Zhang Jiaying (b. 1991, Sichuan) treats painting as a mode of living and thinking. Her works are rooted in personal experience and emotion, capturing countless fleeting moments of memory. She sees each piece as a process of thought and feeling — deliberately avoiding fixed symbols — so the canvas often carries a sense of chaos and a diffuse mental atmosphere. Stylistically, her practice straddles experimental, conceptual, and abstract art, frequently using mixed media, installation, video, and digital elements, though many of her listed paintings are in oil on canvas. Recurring themes include memory and time, identity, cultural belonging, and the body.
**Representative works**
- 都是深渊 (2015, oil on canvas)
- 迷雾 No.1 (2022, oil on canvas)
- 迷雾 No.3 (2023, oil on canvas)
- 过去重叠又重叠 No.3 (2020, oil on canvas)
- 细细的雨和长长的伤又 No.1 (2022, oil on canvas)
- 细细的雨和长长的伤又 No.2 (2022, oil on canvas)
- 把太阳的回忆留存 No.4 (2023, oil on canvas)
根据现有的结构化艺术家档案数据:
张佳颖曾于 **2023年** 在 **ISLE Gallery 山与艺术** 举办的群展 **“林中路 行之于途”** 中展出过作品。
关于她的作品被哪些机构收藏,目前的公开档案资料中暂无相关记录。
According to the artist archive data, Zhang Jiaying has participated in exhibitions at the following venues and locations:
- **ISLE Gallery 山与艺术** – featured in the exhibition *"Path in the Forest, Journey on the Road"* in 2023.
- **Chengdu** – group exhibitions including *"Six Post-90s Exhibition"* (2016), *"First Haina Baichuan – Academic and Artistic Documentary Exhibition Inside and Outside the Academy"* (2015), *"West Village: Today · Tomorrow – 5th Southwest University Outstanding Graduates Joint Exhibition"* (2014), *"Sichuan University 2010 Undergraduate Graduation Exhibition"* (2014), and *"Sichuan University ‘hi New Synaesthesia’ Exhibition"* (2013).
- **Beijing** – *"China Emerging Painting Award ‘Plucking the Laurel Branch’ Exhibition"* (2014).
Regarding institutional collections, the archive does not contain any information about specific institutions that hold her work. Therefore, that information is currently not available.