张新军
简介Biography
张新军（1983年生于河南郑州），2005年毕业于四川美术学院获学士学位，2009年毕业于中央美术学院获硕士学位，现工作生活于北京。其创作主要包括雕塑、装置及行为，作品源于对生活、身体和周围世界游牧式的观察，运用多样化的媒介提炼凝结在自身记忆和个人情感间的抽象形式。通过艺术家身体的介入与生活日常中触手可及的材料形成联结，以一系列密集或原始的劳动去修复并转化生命个体在微观处境下的矛盾时刻。重要个展包括：2014年北京望远镜艺术工作室个展、2015年北京杨画廊“褶皱”、2017年德国索里图德堡学院“矿”、2020年北京叁拾空间“侯寨人不姓侯”。重要群展包括：2013年成都双年展、2015年第二届CAFAM未来展、2016年第一届道滘新艺术节、2017年长征空间“原地前进”、2019年纽约Luhring Augustine“拼拼凑凑的利维坦—12个中国青年艺术家”、2021年第九届OCAT双年展“飞去来器”等。曾参与2011年奥地利联邦教育、文化艺术和艺术家驻留项目。
Born in 1983 in Zhengzhou, Henan. Zhang earned his Bachelor's degree from the Sichuan Academy of Fine Arts in 2005 and his Master's degree from the Central Academy of Fine Arts in 2009. Currently lives and works in Beijing. Zhang Xinjun’s practice encompasses painting, performance and installation. His works stem from a nomadic observation of life, the body, and the surrounding world, employing diverse media to distill abstract forms embedded within his own memory and personal emotions. Through bodily engagement and the use of everyday, readily accessible materials, he forms connections that, via a series of intensive or primal labor, seek to repair and transform moments of tension experienced by the individual in microcosmic situations. In his paintings, bodily sensations and perceptions are mediated through “objects,” linking to the earth, minerals, grain, and temperature, and are presented in a simple yet narrative painting language that reflects his perception of the real world.
代表作Selected Works
展览履历Exhibitions
- 2025蜂泌 Foraging喜在空间 XZ SPACE · 喜在XZ SPACE
- 2022局部有雨 群展蔡锦空间
- 2022与虚空的温感对话 群展博乐德艺术中心
- 2022感官恋物症 群展LPS 在地公园
- 2020侯寨人不姓侯 群展叁拾空间
- 2017矿 群展索里图德堡学院
- 2015褶皱 群展杨画廊
- 2014张新军 个展望远镜艺术工作室
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台档案资料，张新军（1983年生于河南郑州）是一位以雕塑、装置及行为创作为主的当代艺术家，其代表作和创作特点如下：
**代表作**
早期代表作品包括“褶皱”（2015）和“矿”（2017）等系列；近期布面油画系列如《重复结构 NO.2》（2025）、《一袋小麦》（2025）、《煤与棉白 NO.2》（2025）等，亦反映了其持续关注的材料与身体、劳动之间的转化关系。
**创作特点**
张新军的创作以“身体的介入”和“日常材料”为两条核心脉络。他运用多样化的媒介——从影像、装置到布面油画——将生活中触手可及的材料（如小麦、煤、棉、聚苯乙烯等）与身体行为密切联结。作品往往通过一系列**密集而原始的劳动**（打磨、重复、修复）去转化个体在微观处境下的矛盾时刻，从自身记忆和个人情感中提炼出高度凝练且带有抽象意味的形式。其创作状态同时带有“游牧式的观察”，使每一件作品都像是对一段消逝的、熟悉的生存经验的重新铭刻。
Zhang Xinjun (b. 1983, Zhengzhou, Henan) works across sculpture, installation, performance, and painting. His practice is rooted in a nomadic observation of everyday life, the body, and the surrounding world. Using diverse materials, he distills abstract forms from personal memory and emotion, often through physically intensive or primitive labor. By inserting his own body into the process and forging connections with accessible everyday materials, he repairs and transforms the contradictory moments of an individual existence at a microcosmic level.
His recent representative works include the 2025 oil-on-canvas series, such as *Repetitive Structure NO.2*, *Coal and Cotton White NO.2*, *White Tower*, *A Sack of Wheat*, and *Polystyrene*. These paintings continue his investigation into memory, labor, and the transformation of ordinary objects into abstract, emotionally charged forms. His earlier significant solo exhibitions, like *Folds* (2015, Gallery Yang, Beijing) and *Mine* (2017, Akademie Schloss Solitude, Germany), and group shows such as *A Fumbling Leviathan – 12 Chinese Young Artists* (2019, Luhring Augustine, New York) and the 9th OCAT Biennale (2021), have solidified his position as an artist who consistently interrogates the tensions between body, material, and lived experience.
展览与收藏Exhibitions & Collections
根据现有档案资料，张新军曾展出的机构（含个展及群展）包括：
- **望远镜艺术工作室**（北京，2014个展）
- **杨画廊**（北京，2015个展）
- **索里图德堡学院**（德国，2017个展）
- **叁拾空间**（北京，2020个展）
- **成都双年展**（2013群展）
- **中央美术学院美术馆**（2015“第二届CAFAM未来展”群展）
- **道滘新艺术节**（2016群展）
- **长征空间**（2017“原地前进”群展）
- **Luhring Augustine**（纽约，2019群展）
- **OCAT双年展**（2021“飞去来器”群展）
- **喜在空间**（2025个展“蜂泌”）
关于收藏机构，平台现有的档案中暂无公开的相关信息。
Zhang Xin Jun has held solo exhibitions at several notable spaces, including Telescope (Beijing, 2014), Gallery Yang (Beijing, 2015), Akademie Schloss Solitude (Germany, 2017), and SENSE Space (Beijing, 2020). His most recent solo show, *蜂泌 Foraging*, took place in 2025 at XZ SPACE (Beijing).
His work has been featured in significant group exhibitions and biennials such as the Chengdu Biennale (2013), the 2nd CAFAM Future Exhibition (Beijing, 2015), the 1st Daojiao New Art Festival (2016), *Marching in Place* at Long March Space (Beijing, 2017), *A Composite Leviathan – 12 Chinese Young Artists* at Luhring Augustine (New York, 2019), and the 9th OCAT Biennale *Boomerang* (2021).
Regarding institutional collections, the provided artist profile does not explicitly list any public or private collections of his work. While his extensive exhibition history at prominent art institutions suggests possible acquisitions, no specific collection information is available in the given data.
