张新军(1983年生于河南郑州),2005年毕业于四川美术学院获学士学位,2009年毕业于中央美术学院获硕士学位,现工作生活于北京。其创作主要包括雕塑、装置及行为,作品源于对生活、身体和周围世界游牧式的观察,运用多样化的媒介提炼凝结在自身记忆和个人情感间的抽象形式。通过艺术家身体的介入与生活日常中触手可及的材料形成联结,以一系列密集或原始的劳动去修复并转化生命个体在微观处境下的矛盾时刻。重要个展包括:2014年北京望远镜艺术工作室个展、2015年北京杨画廊“褶皱”、2017年德国索里图德堡学院“矿”、2020年北京叁拾空间“侯寨人不姓侯”。重要群展包括:2013年成都双年展、2015年第二届CAFAM未来展、2016年第一届道滘新艺术节、2017年长征空间“原地前进”、2019年纽约Luhring Augustine“拼拼凑凑的利维坦—12个中国青年艺术家”、2021年第九届OCAT双年展“飞去来器”等。曾参与2011年奥地利联邦教育、文化艺术和艺术家驻留项目。
Born in 1983 in Zhengzhou, Henan. Zhang earned his Bachelor's degree from the Sichuan Academy of Fine Arts in 2005 and his Master's degree from the Central Academy of Fine Arts in 2009. Currently lives and works in Beijing. Zhang Xinjun’s practice encompasses painting, performance and installation. His works stem from a nomadic observation of life, the body, and the surrounding world, employing diverse media to distill abstract forms embedded within his own memory and personal emotions. Through bodily engagement and the use of everyday, readily accessible materials, he forms connections that, via a series of intensive or primal labor, seek to repair and transform moments of tension experienced by the individual in microcosmic situations. In his paintings, bodily sensations and perceptions are mediated through “objects,” linking to the earth, minerals, grain, and temperature, and are presented in a simple yet narrative painting language that reflects his perception of the real world.












张新军(1983年生于河南郑州)的创作以雕塑、装置、行为为核心,近年也持续产出布面油画系列。他的作品源于对生活、身体与周遭环境的游牧式观察,常以密集甚至原始的劳动方式处理日常材料,将熟悉的生活经历陌生化,在克制情绪与修复动作中重新联结逐渐消逝的事物。
**近期代表作(据平台档案)**
包括2025年的布面油画系列:
《重复结构 NO.1》《重复结构 NO.2》《煤与棉白 NO.2》《棉白 NO.4》《白塔》《一袋小麦》《空桶》《窟窿》《拾荒》《鸡蛋》《拾花》《海绵》等。
这些作品多从身体介入与日常材料的关系出发,体现出对记忆、时间、身份认同、生命与自然生态等议题的持续关注。
**阶段性重要项目/个展**
- 2015年,北京杨画廊“褶皱”
- 2017年,德国索里图德堡学院“矿”
- 2020年,北京叁拾空间“侯寨人不姓侯”
- 2025年,喜在空间“蜂泌 Foraging”
**创作特点**
在文章语境中,他的方法被概括为“在密集甚至原始的劳动过程中,反复把身边的材料化整为零或重新聚集”,以重复的劳作将熟悉经验陌生化;其《重复结构》以材料形态模拟不稳定的栖居与多变际遇,体现物质可控性与随机性之间的张力。总体来看,他的作品注重身体、材料与生存境遇的关联,常以克制而具有修复感的行动转化个体在微观处境中的矛盾时刻。
Zhang Xin Jun (b. 1983, Zhengzhou, Henan) is a Beijing-based artist. According to the platform archive, his practice is rooted in sculpture, installation, and performance, while his recent representative works also include oil-on-canvas paintings.
**Representative works**
Recent works listed in the archive include a 2025 series of oil paintings such as:
- *Repetitive Structure No.1 / No.2*
- *Coal and Cotton White No.2*
- *Cotton White No.4*
- *White Pagoda*
- *A Sack of Wheat*
- *Empty Bucket*
- *Hole*
- *Gleaning*
- *Egg*
- *Picking Flowers*
- *Sponge*
His earlier practice is better known through solo exhibitions such as *褶皱* (Fold/Crease) at Yang Gallery, Beijing, 2015; *矿* (Mine) at Akademie Schloss Solitude, Germany, 2017; and *侯寨人不姓侯* (Villagers of Houzhai Are Not Surnamed Hou) at Sanshi Space, Beijing, 2020.
**Creative style**
Zhang Xin Jun’s work is characterized by a nomadic, observational approach to life, the body, and his surroundings. He uses diverse media—including sculpture, installation, performance, and painting—to distill abstract forms from personal memory and emotion. A key feature of his practice is the direct involvement of the artist’s body with everyday, readily available materials, often through intensive or raw labor, to repair and transform moments of contradiction in intimate, micro-level situations. Stylistically, his work spans figurative, experimental, imagery-based, and conceptual art, touching on themes such as memory and time, identity, the body, life and death, social commentary, emotion, urban landscape, and ecology.
根据平台现有艺术家档案,张新军的展出机构如下:
**个展 / 个人项目**
- 北京望远镜艺术工作室(2014)
- 杨画廊,北京(2015,“褶皱”)
- 德国索里图德堡学院 / Akademie Schloss Solitude,斯图加特(2017,“矿”)
- 叁拾空间,北京(2020,“侯寨人不姓侯”)
- 喜在空间 XZ SPACE(2025,“蜂泌 Foraging”)
**群展**
- 成都双年展(2013)
- 中央美术学院美术馆(2015,第二届CAFAM未来展)
- 第一届道滘新艺术节(2016)
- 长征空间,北京(2017,“原地前进”)
- Luhring Augustine,纽约(2019,“拼拼凑凑的利维坦—12个中国青年艺术家”)
- 第九届OCAT双年展“飞去来器”(2021)
**收藏机构**
平台现有档案中暂未收录张新军被公共机构或私人机构收藏的明确记录,因此该部分暂无可核实信息。
According to the artist archive, **Zhang Xin Jun** (b. 1983, Zhengzhou, Henan) has exhibited in the following venues and contexts:
**Selected solo exhibitions:**
- 2014: Telescope, Beijing
- 2015: *Fold* / *褶皱*, Gallery Yang, Beijing
- 2017: *Mine* / *矿*, Akademie Schloss Solitude, Germany
- 2020: *People from Houzhai Are Not Surnamed Hou*, Sanyuan Space / 叁拾空间, Beijing
- 2025: *Foraging* / *蜂泌*, XZ SPACE, Beijing
**Selected group exhibitions:**
- 2013: Chengdu Biennale
- 2015: The 2nd CAFAM Future Exhibition
- 2016: The 1st Daojiao New Art Festival
- 2017: *Moving Forward in Place*, Long March Space
- 2019: *A Composite Leviathan—12 Young Chinese Artists*, Luhring Augustine, New York
- 2021: The 9th OCAT Biennale, *Boomerang*
He also participated in an artist residency program under the Austrian Federal Ministry of Education, Arts and Culture in 2011.
As for **institutions collecting his work**: the provided structured archive does not include any collection records, so collection information is not available from this source.