赵新宇
简介Biography
赵新宇（Zhao Xin Yu），1989年出生于内蒙古，2012年毕业于四川美术学院油画系，获学士学位。现工作、居住于北京（另一画册记为重庆）。其创作脉络以绘画为主，曾参与多个重要展览，包括2011年“看望未来：成都双年展特别邀请展”（文轩美术馆，成都）、2012年“约翰·莫尔绘画奖（中国）作品展”（上海油画雕塑院美术馆）及“新视觉2012：弥散的主体”（何香凝美术馆，深圳）、2013年“发光体”（红门画廊，北京）、2014年“折桂枝：2014中国新锐绘画奖”（Hi艺术中心，北京）、“常青藤计划2014：中国首届青年艺术家推介展”（中间美术馆，北京）、“思无界：2014艺术院校大学生年度提名展”（今日美术馆，北京）及“后生：四川美术学院驻留艺术家展”（重庆美术馆，重庆）、2015年“流变与共在：中国新现实绘画”（佛罗伦萨，意大利）、2016年“作为窄门的绘画：80后艺术家提名展”（蜂巢当代艺术中心，北京）。
Zhao Xin Yu, born in 1989 in Inner Mongolia, graduated from the Oil Painting Department of Sichuan Fine Arts Institute in 2012 with a bachelor’s degree. He currently works and lives in Beijing (another catalogue records Chongqing). His practice centres on painting, and he has participated in numerous significant exhibitions, including: “Looking to the Future: Chengdu Biennale Special Invitational Exhibition” (Wenxuan Art Museum, Chengdu, 2011); “John Moores Painting Prize (China) Exhibition” (Shanghai Oil Painting & Sculpture Institute Art Museum, 2012) and “New Vision 2012: Diffused Subjects” (He Xiangning Art Museum, Shenzhen, 2012); “Luminous Bodies” (Red Gate Gallery, Beijing, 2013); “Plucking the Laurel: 2014 Chinese New Painting Award” (Hi Art Center, Beijing, 2014), “Ivy Plan 2014: The First China Young Artists Promotion Exhibition” (Inside-Out Art Museum, Beijing, 2014), “Boundless Thinking: 2014 Art Academy Students Annual Nomination Exhibition” (Today Art Museum, Beijing, 2014), and “Posterity: Sichuan Fine Arts Institute Artist-in-Residence Exhibition” (Chongqing Art Museum, Chongqing, 2014); “Flux and Coexistence: Chinese New Reality Painting” (Florence, Italy, 2015); and “Painting as the Narrow Gate: Post-80s Artists Nomination Exhibition” (Hive Center for Contemporary Art, Beijing, 2016).
代表作Selected Works
展览履历Exhibitions
- 2025见微，知著。苏州李公堤4期17幢 虹·美术馆 · 虹美术馆
- 2025无质不可感北京市朝阳区酒仙桥路4号798艺术区798东街D10号 · 仚東堂
- 2024模糊的皮囊BLANKgallery · BLANK Gallery
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
赵新宇（1989年生于内蒙古）近年来的绘画实践在具象与意象之间展开，常用丙烯、油画，并大量引入毛毡拼贴、织布等综合材料，形成一种带有触觉感的画面语言。根据平台档案数据，其代表作包括《对抗与共存》（2024）、《双完美》（2025）、《吞噬》（2024）、《漂浮的，混沌的》（2023）、《归于平静，直至消失》（2024）、《缓慢的遗忘》（2025）等，媒介以“布面丙烯、毛毡拼贴”为主。
创作特点上，平台档案将其归为“具象艺术”“实验性”与“意象”的交叠。作品主题覆盖人物、城市景观、情感、死亡、社会评论、自然生态、记忆与时间、身份认同与身体等多个维度。从题材命名如“对抗与共存”“错位与共存”“归于平静，直至消失”可以看出，他持续关注事物之间的紧张关系与消解过程，常在绘画中构建一种介于秩序与混沌、锐利与消散之间的视觉状态。拼贴材料的介入进一步打破了传统油画的平滑叙事，让画面兼具制作感与偶然性，体现了对当代生存经验的敏感转化。
Based on the artist archive data, here is an overview of Zhao Xin Yu’s representative works and creative style.
**Representative Works**
Zhao Xin Yu’s recent output includes a series of paintings that combine acrylic on canvas with felt collage, reflecting his experimental approach. Notable examples from the archive are:
- *对抗与共存 (Confrontation and Coexistence)*, 2024, acrylic on canvas, felt collage
- *双完美 (Double Perfection)*, 2025, acrylic on canvas, felt collage
- *吞 噬 (Devour)*, 2024, acrylic on canvas, felt collage
- *漂浮的，混沌的 (Floating, Chaotic)*, 2023, acrylic on canvas, woven fabric
- *错位与共存 (Dislocation and Coexistence)*, 2023, acrylic on canvas, felt collage
- *秩序的漪涟NO.3 (Ripples of Order No.3)*, 2024, acrylic on canvas, felt collage
- *热带雨林 (Tropical Rainforest)*, 2024, acrylic on canvas, felt collage
- *归于平静，直至消失NO.2 (Return to Calm, Until Disappearance No.2)*, 2025, acrylic on canvas, felt collage
- *冰冷的, 璀璨的, 生长的 (Cold, Dazzling, Growing)*, 2023, acrylic on canvas
**Creative Style**
Zhao Xin Yu’s practice is categorized as figurative art with experimental and imagistic leanings. He primarily works in acrylic and oil, and since around 2023 he has frequently incorporated felt collage and woven fabric into his paintings. This mixed‑media approach blurs the line between painting and object, creating textured surfaces that reinforce the works’ conceptual depth.
Thematically, his art addresses a wide spectrum of contemporary concerns: figures and the body, urban landscapes, emotion, death, social commentary, natural ecology, memory and time, and identity. The recurring use of felt—a soft, warm material often associated with craft and domesticity—contrasts with the cool, sometimes unsettling imagery, suggesting a tension between comfort and disquiet. His compositions often oscillate between order and chaos, visibility and erasure, reflecting an ongoing exploration of how personal and collective experiences are layered and fragmented.
展览与收藏Exhibitions & Collections
① 展出机构
根据平台“结构化艺术家档案数据”，赵新宇曾在以下机构展出：
- 虹美术馆（苏州，展览“见微，知著。”，2025）
- 仚東堂（北京798艺术区，展览“无质不可感”，2025）
- BLANK Gallery（展览“模糊的皮囊”，2024）
此外，其个人简介中所列的早期重要展览还包括：
- 文轩美术馆（成都，“看望未来：成都双年展特别邀请展”，2011）
- 上海油画雕塑院美术馆（“约翰·莫尔绘画奖（中国）作品展”，2012）
- 何香凝美术馆（深圳，“新视觉2012：弥散的主体”，2012）
- 红门画廊（北京，“发光体”，2013）
- Hi艺术中心（北京，“折桂枝：2014中国新锐绘画奖”，2014）
- 中间美术馆（北京，“常青藤计划2014”，2014）
- 今日美术馆（北京，“思无界：2014艺术院校大学生年度提名展”，2014）
- 重庆美术馆（重庆，“后生：四川美术学院驻留艺术家展”，2014）
- 佛罗伦萨（意大利，“流变与共在：中国新现实绘画”，2015）
- 蜂巢当代艺术中心（北京，“作为窄门的绘画：80后艺术家提名展”，2016）
② 被收藏机构
目前平台暂无关于赵新宇作品被哪些机构收藏的记录。
Zhao Xinyu has exhibited at the following venues (based on the available archive):
- **虹·美术馆** (Iris Art Museum), Suzhou (2025, group exhibition “见微，知著。”)
- **仚東堂** (Xian Dong Tang), Beijing (2025, exhibition “无质不可感”)
- **BLANKgallery** (2024, solo exhibition “模糊的皮囊”)
The current artist archive does not contain information on which institutions collect his work. No collection data is available.
