赵赵

**Zhao Zhao (赵赵, b. 1982, Xinjiang, China; lives and works in Beijing and Los Angeles)** works across installation, mixed media, photography, video, and sculpture. His practice is usually described as **conceptual, experimental, and socially engaged**, often combining contemporary art strategies with references to traditional Chinese culture.

**Representative works**

- In the platform archive, the listed representative work is **_Kunlun_ (2025)**, graphite on paper.

- In broader exhibition contexts, other frequently cited works include:

- **_The Answer Is in the Wind – White_ (2022–2023)**, a large mixed-media work made with cotton swabs.

- **_Cat No. 4_ (2018)**, in brass, stainless steel, black iron, and blue steel.

- **_Taklamakan Project_**, which was selected for the 2017 Yokohama Triennale.

- Early performance and action-based works, as well as sculptural pieces such as the tilted golden figure in **_Slant_**.

**Creative style**

Zhao Zhao’s work focuses on the tension between **individual consciousness and the wider social field**. His recurring subjects include **social commentary, politics, power, cultural identity, memory, and time**. Stylistically, he is known for a **bold, sometimes confrontational artistic practice** that moves fluidly between mediums and materials, often merging contemporary art languages with traditional cultural concepts. His projects frequently reflect the pressures and conditions of modern life while also drawing on autobiographical experience, collective memory, and personal ritual.

According to the structured artist archive, Zhao Zhao has the following exhibition record:

- *Echoes of Time* (时间的回响), 2026, Shede·Chengdu Fosun Foundation Art Center, Chengdu, presented by K-Gallery.

The structured archive does not include a list of institutions that collect Zhao Zhao’s work, so collection details are currently unavailable from the artist profile data.