相遇与凝视

光线与眼睛、空间与感知在此一并相遇，而任诒春也逐渐将目光的凝视交予感觉的流动，艺术家的知觉也在绘画的工作中实现综合，由此让画面显现出一种理性的设计与直观感性的奇异结合，而这仍然是一种属于绘画的直观性，只不过直观本身已足够复杂，用诗人保罗·瓦莱里的话说，则“最深邃的，是表面的皮肤”，最本质的，莫过于瞬间的一瞥。

Light and eyes, space and perception converge here, as Ren Yichun gradually shifts her gaze from vision to the flow of sensation. The artist's perception achieves a synthesis in the work of painting, allowing the images to manifest a

peculiar combination of rational design and intuitive sensibility. This still remains a form of intuition inherent to painting; however, the intuition itself has become sufficiently complex. In the words of the poet Paul Valéry, " What lies deepest of all in man is the skin," and the most essential lies in the fleeting glance.

绘画之于我，是一个主体与客体共谋的真理显现的场所，它像一把钥匙，开启了处于遮蔽状态的我，让世界与我互为敞开，我在世界中显现，又返身归避于世界之中，我与世界构成一个整体，一切都互为存在着，并且是一种曾在、现在与将在的综合呈现。所以绘画不仅仅是作为图像的功能或者形式上的绘画，它更多的是生命的、真理性的绘画，是情感的依靠和精神的支柱，也是生活的目的和意义。

——任诒春