鞠婷
简介Biography
鞠婷，1983年生于山东潍坊，2007年及2013年先后毕业于中央美术学院版画系，获学士与硕士学位，现居北京，是艺术家。其创作以独特的“以刀入画”方式著称，通过在木板上层层叠加丙烯颜料，干燥后用刻刀进行刻画，使被遮蔽的色层显现，作品介于绘画与雕塑之间。她创作了“珍珠”、“+-”、“无题”、“琥珀”、“深流”等多个系列作品。曾在麦勒画廊等地举办“鳞”、“应和”等多次个展，并参与“第四届今日文献展”等国内外群展，作品被中国美术馆等机构收藏。2013年，曾获“艺术8中国奖”。2026年，其作品参展“中国当代的抽象叙事”（玉兰堂）。
Ju Ting, born in 1983 in Weifang, Shandong, graduated from the Printmaking Department of the Central Academy of Fine Arts in 2007 and 2013 with a bachelor’s and a master’s degree respectively. She currently lives in Beijing and works as an artist. Her practice is known for her distinctive method of “painting with a knife”—by layering acrylic paint on wooden boards, then carving into the dried paint with a knife, she reveals the concealed colour layers beneath; her works exist between painting and sculpture. She has created multiple series including “Pearl”, “+-”, “Untitled”, “Amber”, and “Deep Flow”. She has held solo exhibitions such as “Scales” and “Echo” at Galerie Urs Meile and other venues, and has participated in domestic and international group exhibitions including the 4th Today’s Documents. Her works are collected by institutions such as the National Art Museum of China. In 2013, she received the Yishu 8 China Award. In 2026, her works were featured in the exhibition “Abstract Narratives in Chinese Contemporary Art” (Line Gallery).
代表作Selected Works
展览履历Exhibitions
- 2026坐标 —— JUSTART第四幕年度展利星行文化艺术中心 · JUSTART
- 2026中国当代的抽象叙事上海市静安区北苏州路490号玉兰堂（上海） · 玉兰堂
- 2016蜂巢当代艺术中心 群展
- 2016亚洲艺术中心 群展
- 2016Tong Gallery Projects 群展
- 2016星空间 群展
- 2015星空间 个展
- 2015会空间 群展
- 2015海牙市政厅 群展
- 2015尤伦斯艺术商店 群展
- 2015蜂巢当代艺术中心 群展
- 2014中国版画博物馆 群展
- 2014IAM艺术空间 群展
- 2014德山艺术空间 群展
- 2014DS艺术空间 群展
- 2014星空间 群展
- 2014季节画廊 群展
- 2013艺术8 个展
- 2013798艺术区 群展
- 2013红门画廊 群展
- 2013中央美术学院美术馆 群展
- 2013中央美术学院 群展
- 2012北京 群展
- 2011北京 群展
- 2010繁星美术馆 群展
- 2009中国美术馆 群展
- 2009华·美术馆 群展
- 2008龙艺榜画廊 群展
- 2007中央美术学院 群展
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
依据平台艺术家档案，鞠婷（Ju Ting，1983年生于山东潍坊）毕业于中央美术学院版画系，现居北京。她的代表作主要围绕多个系列展开，包括 **“珍珠”“+-”“无题”“琥珀”“深流”** 等，具体作品如《琥珀042123》《珍珠 070219》《无题 062819》《Amber 062322》。
**创作特点**方面，鞠婷以独特的“以刀入画”方式著称：她在木板上层层叠加丙烯颜料，待颜料干燥后，用刻刀进行切割、凿刻和破坏，使原本被覆盖的色层重新显现出来。作品因此介于绘画与雕塑之间，具有很强的物质性与触感维度。她的创作关注抽象主题、物质性、情感以及记忆与时间，过程重复而耗时，常带有冥想性质。近年的“深流”系列在表面形成脉络般的结构与沟壑，呈现出平静表象之下暗藏动荡的内在张力。
从文章背景补充来看，鞠婷的创作贯穿着对自身状态和社会现实的思考。早期“珍珠”“+-”等系列气质较为含蓄、克制、柔韧；到《凛冬将至》等阶段，她更直接地通过敲击、破坏彩色丙烯外壳来释放内在欲望与反叛，使色彩冲破束缚喷涌而出，体现出由内向外的力量转变。
Ju Ting’s representative works belong to several ongoing series, including **Pearl (珍珠)**, **+-**, **Untitled (无题)**, **Amber (琥珀)**, and **Deep Waters Run Quiet (深流)**. Notable recorded examples include:
- *Pearl 070219* (2019, acrylic on board)
- *Untitled 062819* (2019, acrylic on board)
- *Amber 062322* (2022)
- *琥珀042123* (2023, acrylic on board)
Her creative style is best described as “painting with a knife.” Ju Ting builds up many layers of acrylic paint on a wooden panel; once the paint has dried, she uses a knife or similar tool to carve, cut, peel, fold, or tear into the surface, exposing the hidden color strata beneath. The resulting works sit between painting and sculpture, with tactile, relief-like surfaces rather than flat images.
Her practice is abstract, experimental, and materially driven. She works between control and chance: the thickness of the paint, the depth and width of the incisions, and the force and speed of tearing all shape the final image. Sometimes she deliberately damages the surface to create texture; at other times she accepts accidental glitches. Across her series, she explores layered color, materiality, memory, emotion, and the physical weight of paint, giving her works an organic, almost bodily presence.
展览与收藏Exhibitions & Collections
根据平台档案数据（事实类以该数据为准），鞠婷的展出与收藏情况如下：
**展出机构 / 展览**
- 个展：麦勒画廊等（包括“鳞”“应和”等）
- 群展：第四届今日文献展
- 2026年“坐标——JUSTART第四幕年度展”，利星行文化艺术中心 / JUSTART
- 2026年“中国当代的抽象叙事”，玉兰堂（上海）
**收藏机构**
- 中国美术馆等机构（平台档案明确记录）
补充（来自你提供的文章上下文，平台档案未全部收录）：文章所附简历中还提及她曾在星空间、艺术8、蜂巢当代艺术中心、尤伦斯当代艺术中心、正观美术馆、央美术馆、成都当代美术馆、红门画廊、中央美术学院美术馆等机构展出；收藏方面提到中国美术馆、中央美术学院美术馆、白兔美术馆（悉尼）等。此类补充可作为参考，正式事实以平台档案为准。
According to the artist profile, Ju Ting has exhibited in both solo and group exhibitions.
**Exhibitions include:**
- Solo exhibitions such as *“鳞”* and *“应和”* at Galerie Urs Meile and other venues.
- Group exhibitions including *“第四届今日文献展”* (The 4th Today’s Documents) and other domestic and international group shows.
- In 2026: *“坐标 —— JUSTART第四幕年度展”* at Lixinghang Cultural and Art Center, presented by JUSTART.
- In 2026: *“中国当代的抽象叙事”* at Yulan Tang (Line Gallery), Shanghai.
**Institutional collections:**
Her works are collected by institutions including the **National Art Museum of China (中国美术馆)**. The available profile mentions this as an example; a complete list of all collecting institutions is not provided.
