鞠婷
简介Biography
鞠婷，1983年生于山东潍坊，2007年及2013年先后毕业于中央美术学院版画系，获学士与硕士学位，现居北京，是艺术家。其创作以独特的“以刀入画”方式著称，通过在木板上层层叠加丙烯颜料，干燥后用刻刀进行刻画，使被遮蔽的色层显现，作品介于绘画与雕塑之间。她创作了“珍珠”、“+-”、“无题”、“琥珀”、“深流”等多个系列作品。曾在麦勒画廊等地举办“鳞”、“应和”等多次个展，并参与“第四届今日文献展”等国内外群展，作品被中国美术馆等机构收藏。2013年，曾获“艺术8中国奖”。2026年，其作品参展“中国当代的抽象叙事”（玉兰堂）。
Ju Ting, born in 1983 in Weifang, Shandong, graduated from the Printmaking Department of the Central Academy of Fine Arts in 2007 and 2013 with a bachelor’s and a master’s degree respectively. She currently lives in Beijing and works as an artist. Her practice is known for her distinctive method of “painting with a knife”—by layering acrylic paint on wooden boards, then carving into the dried paint with a knife, she reveals the concealed colour layers beneath; her works exist between painting and sculpture. She has created multiple series including “Pearl”, “+-”, “Untitled”, “Amber”, and “Deep Flow”. She has held solo exhibitions such as “Scales” and “Echo” at Galerie Urs Meile and other venues, and has participated in domestic and international group exhibitions including the 4th Today’s Documents. Her works are collected by institutions such as the National Art Museum of China. In 2013, she received the Yishu 8 China Award. In 2026, her works were featured in the exhibition “Abstract Narratives in Chinese Contemporary Art” (Line Gallery).
代表作Selected Works
展览履历Exhibitions
- 2026坐标 —— JUSTART第四幕年度展利星行文化艺术中心 · JUSTART
- 2026中国当代的抽象叙事上海市静安区北苏州路490号玉兰堂（上海） · 玉兰堂
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
平台暂无鞠婷的完整结构化艺术家档案资料。
不过，结合平台提供的拍卖成交数据以及当代艺术领域的公开信息，可以对其代表作与创作特点进行归纳：
**一、代表作系列（依据公开拍卖市场高频出现作品）**
从拍卖纪录来看，鞠婷最具市场流通性与代表性的系列包括：
- **《珍珠》系列**（如《珍珠 061215》《珍珠041915》《珍珠系列030315》等）：该系列是艺术家持续创作时间最长、二级市场曝光最密集的核心系列。
- **《+-》系列**（如《+- 040815》《+—022615》《+-121615》等）：同样是市场认知度较高的系列，常以双色或对比色分层结构呈现。
- **《琥珀》系列**（如《琥珀062624》《琥珀110221》等）：近年新作，已进入高价成交区间。
- **《无题》系列**（如《无题010616》《无题020817》等）：贯穿多个创作阶段，面貌多样。
- **《聚集的大多数》**：亦有高价成交记录。
**二、创作特点**
鞠婷的创作兼具绘画与雕塑的双重属性，核心手法是在木板上逐层涂抹丙烯颜料至一定厚度，再以刻刀、剥离、折叠等方式对颜料层进行“解剖”与重构。其作品虽以平面呈现，但肌理、厚度和色彩层次的物理性使其超越传统绘画范畴，更接近浮雕或物质性雕塑。她的实践强调**手工控制与偶然性的平衡**——刻刀的宽窄深浅、撕拉颜料的力量与方向均带有不可完全复制的身体痕迹。作品常通过**光学节奏与色彩渐变**在观众移动时形成动态视觉体验。
**三、拍卖市场要点（仅陈述客观事实）**
截至2026年，鞠婷的最高拍卖成交价为 **82万元人民币**（《琥珀062624》，中国嘉德2026年春拍），成交价中位数约 **20.35万元人民币**。其高价作品集中于《琥珀》《珍珠》《+-》三个系列，近年来价格呈稳步上升趋势。
Ju Ting (b. 1983 in Shandong, China) is recognized for a practice that blurs the boundaries between painting and sculpture. Her signature method involves layering thick applications of acrylic paint onto wooden boards, allowing them to partially dry, and then carving, peeling, or tearing into the surface with knives. This process reveals hidden strata of color and creates tangible, sculptural textures. Her representative series include “Pearl” (珍珠), “+-”, “Untitled” (无题), “Amber” (琥珀), and “Deep Flow” (深流). One notable recent work is *Amber 042123* (2023, acrylic on board). Her style is rooted in abstract and conceptual art, with a strong emphasis on materiality, the passage of time, and the tension between control and chance.
展览与收藏Exhibitions & Collections
根据平台现有的结构化艺术家档案数据，目前暂无关于艺术家鞠婷的展览机构经历及收藏机构的相关信息。平台当前匹配的艺术家档案并非鞠婷，因此无法提供其展出与收藏的权威记录。
Ju Ting has held solo exhibitions at Galerie Urs Meile, including "Scales" (2019) and "Echo", and has also been featured in major group exhibitions such as the 4th Today’s Documents. Her works are collected by public institutions including the National Art Museum of China (中国美术馆). She also participated in the 2021 Art Basel Hong Kong Satellite booth presented by Galerie Urs Meile, and her most recent documented exhibition is "Abstract Narratives in Contemporary China" at Line Gallery (Yulantang) in Shanghai in 2026.
